The Violent Femmes‘ debut album tends to get most of the hype, but the follow up Hallowed Ground is better. It goes deeper, rocks harder, bites more fiercely, covers more ground. And it kicks off with Country Death Song, a murder ballad that gets all the more harrowing when you realize that Gordon Gano was still in high school when he wrote it.  The opposite of a feel-good unless you just can’t enough of that those toe tapping backwoods American myths and legends and brutal truths.