“I’m pretty sure Ray Charles was considered to be past his prime by 1975. And indeed the rest of this album, Renaissance, tends toward ballads of an over-produced nature, but damn if he doesn’t take Stevie Wonder’s Living For The City to church here. Which isn’t to say it’s superior to the original, just so righteously pumped up that angels can still be heard wailing. But are they laughing or crying?” (Philip Random)