5. yoo doo right

“Call Can the best band that most people probably still haven’t heard. Can being an acronym for Communism-Anarchism-Nihilism, if you believe everything you read. I tend to reject that because it feels too political. These guys were beyond politics. Or maybe I should say, they inspired revolution, not the other way around. Though they did form in 1968 out of the virulent insurrections that were tearing through Europe at the time. Four Germans (all children of the ruins of World War Two) working with two vocalists in particular. The second one, Damo Suzuki (straight outa the Japanese ruins) tends to get the most notice. But it’s Malcolm Mooney (on the run from the Vietnam draft) fronting things on Yoo Doo Right, the monster that filled all of side two of their debut album, Monster Movie. Though the original take was apparently magnitudes longer, a six hour improv that only really stopped because they ran out of audio tape. Can being the sort of outfit that absolutely gave itself over to the music. Call them shamans, I guess, holy weirdos in tune with the gods. Which in the case of Yoo Doo Right meant the groove, and the noise from which it grew.

A letter from my friend JR comes to mind. He was traveling in Thailand at the time. I’d made him a few mixtapes before he took off, one of which contained Yoo Doo Right. Anyway, he dropped some acid one night at a particularly beautiful beachfront spot, and eventually got to wandering and wondering, just him and the moon, the waves, the sand, working through all manner of stuff, including his own desperate loneliness, about as far away from home and family and friends as a young man could get without leaving the planet altogether. And the thought occurred to him right around midnight that he could just lie down, let the tide take him, solve all his problems and confusions … but the music got to him first, the quiet part in the middle, the singer muttering about whoever Yoo was and how they better-better doo it right, over and over, an incantation, everything starting to rise in groove and passion until at some point, JR realized he was dancing, just him and the moon and the ocean, the entirety of the universe somehow graspable, very much in tune and in time. And yeah, I can’t put it any better than that. The power of Can, hippie-freak weirdos beating the living drum of revolution-evolution-whatever it is that finally sets us all free. Gotta-gotta get it right.” (Philip Random)

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