67. ambulance blues

“Given my age at the time (barely fifteen), Neil Young’s On The Beach is definitely one of my earliest (and oddest) album length crushes. And being cool had nothing to do with it. It was just one of those difficult teen summers, stuck visiting relatives, no friends within three thousand miles, too old for little kids stuff, too young to care about adult bullshit. And yet for some reason, there was this Neil Young album kicking around my uncle’s place. I think he won it in a raffle, probably listened to the whole thing once, if at all. And to be honest, that’s probably all I would’ve given it if there’d been any other options. But there weren’t, so I dove in, with side two, the mellow side, the rich and deeply somber, dark and melancholic side, being the one that truly grabbed me over time. Though grab’s the wrong word. More of an embrace, albeit a cool one. Particularly Ambulance Blues, which really felt like the album cover: a California beach on a grey and disappointing day, patio furniture spread around, and the tail fin of a buried car, with Mr. Young way out at the water’s edge looking like he might be about to jump in, never come back. You’re all just pissing in the wind.” (Philip Random)

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