366. will to love

“It’s 1977 and punk rock may be erupting but Neil Young‘s gone strangely, evocatively ambient … for one song anyway, all heartfelt yearning and fireplace hisses and crackles. Will To Love being one of those examples of a unique artist at the peak of their powers doing something they’d never really done before so well that they’d never really have to do it again. Found on American Stars And Bars a mish-mash of an album that also includes Like A Hurricane and some pretty much straight up Country stuff, making it a more or less perfect evocation of one man’s confusion. And don’t kid yourself, everybody was confused in 1977.” (Philip Random)

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415. carry on

“The original version of Crosby Stills Nash + Young‘s Carry On is entirely okay. It makes its point. The revolution may have peaked but, man, we’re still on the edge something beautiful, man, so nothing else to do but carry on, man, to peace love and understanding, man. Live however, captured on 1971’s 4 Way Street, you actually believe it. Love is coming for us all. War shall be forever banned. Richard Nixon will not be re-elected in a year’s time by the single biggest landslide in history, America will not keep mucking around in Vietnam for four more bloody years. It’s the jamming, of course. Neil Young and Steve Stills facing off (with rhythm section Fuzzy Samuels and Johnny Barbata in strong support) riding the wave to heaven’s gate itself, leaving the original song far behind for at least ten minutes. Meanwhile in a hotel in Las Vegas, Hunter Thompson is glimpsing through ancient eyes what he’d come to call the high water mark. These things are not unconnected.” (Philip Random)

CSNY-1971-studio

433. what are their names?

As the story goes, David Crosby‘s girlfriend Christine Hinton had recently been killed in a car accident, and out of the haze of grief (and with a lot of help from his friends) came 1971’s If Only I Could Remember My Name, his first and best solo album, and one of the finest folk-based, free-form exploratory records of any era. Case in point, the mostly instrumental What Are Their Names? which just sort of creeps along at first but by the time it’s done, it’s delivered a defiant punch. Like hanging out with your friends, getting high, yet bemoaning the deep inequities of the world, how the rich keep on getting richer and the poor just keep getting eaten. And guess what? The masters of war behind it all live just over yonder hill. Perhaps we should go pay them a visit, do a little sharing.

VietnamProtest-1971

009. The Final Countdown*

Installment #9 of The Final Countdown aired Saturday-May-19-2018 (c/o CiTR.FM.101.9).

Youtube playlist (somewhat inaccurate).

The Final Countdown* is Randophonic’s longest, most random and (if we’re doing it right) relevant countdown yet – the end of result of a long and convoluted process that finally evolved into something halfway tangible in early 2018. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.

TFC-009

Installment #9 of The Final Countdown* went like this.

1132. Prince – shockadelica
1131. Pharaoh Sanders – The Creator Has A Master Plan (remix)
1130. Tune-Yards – you yes you
1129. OMD – Final Song
1128. Black Star Liner – ethnic suicide of the Volga Boatmen
1127. Kid Koala – skanky panky
1126. Modest Mouse – Jesus Christ was an Only Child
1125. Donovan – hey gyp [dig the slowness]
1124. Nigel Kennedy – while my guitar gently weeps
1123. Can – hunters + collectors
1122. Holger Czukay – Oh Lord, give us more money [edit]
1121. Black Oak Arkansas – high and dry
1120. Eugene Chadbourne – Nazi Punks Fuck Off
1119. Orb + Lee Scratch Perry – Congo
1118. Daedelus – Just Briefly
1117. Neil Young – roll another number
1116. Suns of Arqa – Ananta snake dance
1115. The Teardrop Explodes – seven views of Jerusalem
1114. Jerry Garcia – eep hour
1113. Ornette Coleman – virgin beauty
1112. Clash – time is tight
1111. Van Morrison – no religion

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

007. The Final Countdown*

Installment #7 of The Final Countdown aired Saturday-April-28-2018 (c/o CiTR.FM.101.9).

Youtube playlist (somewhat incomplete).

The Final Countdown* is Randophonic’s longest, most random and (if we’re doing it right) relevant countdown yet – the end of result of a long and convoluted process that finally evolved into something halfway tangible in early 2018. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.

TFC-007

Installment #7 of The Final Countdown* went like this.

1170. FSOL – Papua New Guinea
1169. Blue Oyster Cult – she’s as beautiful as a foot
1168. Clinic – Harvest
1167. Genesis – riding the scree
1166. Kooks – Kids
1165. Mikky Ekko – Kids
1164. Crusaders – so far away [edit]
1163. Donovan – Riki Tiki Tavi (alt version)
1162. Neil Young – vampire blues
1161. Jesse Winchester – twigs and seeds
1160. Bob Dylan – Dixie
1159. Rupert Hine – I think a man will hang soon
1158. Sweet – air on A tape loop
1157. Beach Boys – getting hungry
1156. Magnetic Fields – I Shatter
1155. Fall – paint work
1154. Pink Floyd – Matilda mother
1153. OMD – dancing
1152. Landscape – from the tea rooms of Mars …
1151. Pecker – Beggars Suite [1-2-3]

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

006. The Final Countdown*

Installment #56 of The Final Countdown aired Saturday-April-21-2018 (c/o CiTR.FM.101.9).

Youtube playlist (somewhat inaccurate).

The Final Countdown* is Randophonic’s longest, most random and (if we’re doing it right) relevant countdown yet – the end of result of a long and convoluted process that finally evolved into something halfway tangible in early 2018. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.

FINAL-006

Installment #6 of The Final Countdown* went like this.

1191. Malcolm McLaren – do you like scratchin’
1190. Neil Young – Mr Soul [trans]
1189. Stranglers – just like nothing on earth
1188. Uberzone vs Martin Denny – hypnotique
1187. Stone Roses – one love [the jam part]
1186. Sigur Ros – Gobbledigook
1185. Pentangle – Light Flight
1184. Dali’s Car – his box
1183. Negativland – cara mia
1182. Nitty Gritty Dirt Band – Raleigh-Durham reel
1181. Salvador Santana – Under The Sun
1180. Screaming Eagles – doodoodoodoo
1179. Gabor Csupo – Hungarian Dance #1 (Pozsony)
1178. Grateful Dead – new speedway boogie
1177. Ultravox – Mr X
1176. Todd Rundgren – the spark of life
1175. Egg Head – I hate fluorescent lights
1174. Booker T & the MGs – she’s so heavy
1173. Eugene Chadbourne – wild horses
1172. Rolling Stones – let’s sing this all together [see what happens]
1171. Massive Professor Attack etc – bumper ball dub

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

542. tonight’s the night [1]

“The title track of Neil Young’s sixth studio album is completely concerned with heroin and the damage done, souls consumed, lives ended way too soon. It says 1975 on the cover (and it was actually recorded a couple of years earlier) but I didn’t find it until at least ten years after the fact, yet grimly perfect timing nevertheless, such is junkiedom — it never goes out of style. Which isn’t to say Tonight’s the Night is all one sustained dirge – the album that is. But that said, it never forgets what it’s about, always more shadow than light, always more nasty than nice.” (Philip Random)

NeilYoung-1973-home

559. expressway to yr skull

Evol (the name of the album in question) is love spelled backward, which is pretty much what was going on in 1991, Vancouver’s Pacific Coliseum, as Sonic Youth warmed up Neil Young + Crazy Horse, choosing not to pander even slightly to all the aging hippies in the house, but rather to deliver unto them a profound and beautiful and sustained NOISE. The climax came with Expressway to Yr Skull, which actually starts out kind of nice, but then ‘We’re Gonna Kill – The California Girls – We’re gonna fire the exploding load in the milkmaid maidenhead.’  The hippies were very confused, angry even, but I just laughed. The times, they just kept a-changing.” (Philip Random)

SonicYouth-1991-liveCHAOS

576. bluebird

Apparently, Buffalo Springfield are the greatest band nobody’s ever properly heard, unless you were lucky enough to catch them live way back when, with the psychedelic 60s ripping a hole through time. Neil Young and Stephen Stills (and the other guys), brash and wild and still mostly unknown, desperate to be heard, to wake people the f*** up. The records just don’t capture that. They’re too restrained, too produced, which isn’t to say they don’t have some moments, just lacking that overall carnivorous bite.

BuffaloSprinfield-1967