493. lazy

“Memories of John Masterson, the older guy who lived next door, and definitely a wild one. He had a souped up Datsun 510 that he loved to bomb around in, so he’d give me rides places just to have an excuse to open it up, burn rubber, go FAST. And I swear he always had the same 8-Track playing, which was Deep Purple Made In Japan, and it always seemed to be the same song. Not the obvious one, Highway Star. Nah, John Masterson was hooked on Lazy, from its lazy indeed beginning onward through the riffing and rocking and erupting. The All Time Heavy, he called them, and I wasn’t going to argue, not at 90 mph down a back road near the docks.” (Philip Random)

DeepPurple-1972-live

 

494. jump

“In which Aztec Camera take the much loved Van Halen hit that I always loathed and render it first palatable by straining out all the annoying rec-room gymnastics, working a smooth soft rock groove, but then, just as things would normally fade out, everything erupts, tears a hole in stratosphere, leaves all memory of the Van Halen original flopping miserably around in a pile of spilled cocaine and brown M+Ms.” (Philip Random)

AztecCamera-1985

495. everybody’s been burned

“Arguably David Crosby‘s greatest contribution to the Byrds, maybe to music in general. Because it’s absolutely true. If it hasn’t happened to you already, it will. Love will find you, fill you with its sweet, impossible light, and eventually burn you, though probably not fatally. But it will leave scars.” (Philip Random)

byrds-1968-strange

496. Isis

Isis is one of the songs that forever ensnared me in the mystique of the guy known as Bob Dylan, starting with radio late at night in my teen years, floating strangely past as I slipped into dreams, doing its bit to inform them. And like those dreams, I still couldn’t tell you what it’s about. A journey, I guess, but to where? Maybe that’s the point. It’s about infinity, eternity, the stories found within stories found within stories, snakes eating their tales, a goddess called Isis … and the falling out of love. The live version from the Rolling Thunder era is pretty damned strong, but I prefer the more restrained original, found on Desire. It just seems to go further.” (Philip Random)

497. carry on till tomorrow

“The Badfinger story didn’t end well. But let’s not hang on that. Let’s focus instead on how glad I am that they existed, how superb so much of their music was. And for many, that started with Carry On Till Tomorrow (epic and sad and the definition of Beatlesque) running through the opening credits of The Magic Christian – the one where Peter Sellers and Ringo Starr join forces to prove (over and over) that everyone has their price.” (Philip Random)

Badfinger-MagicCROP

498. dancing with the moonlit knight

“It’s true. In 1973, Genesis were the definition of sophisticated, underground cool. Certainly too cool for local Vancouver radio which barely played them. But you heard about them anyway from various cool older brothers and sisters, or saw an occasional photo in something like Creem magazine. It was always about the live show, like Alice Cooper but completely different, not for teeny bops. And then I finally heard them and it wasn’t what I was expecting at all. How could it be? It was unlike anything I’d ever heard before. So delicate and then not. So powerful and strange. The album was Selling England by the Pound. The first song was Dancing with the Moonlit Knight. Like dropping the needle into a dense and beautiful dream that you probably weren’t ready for, but here it was anyway. Something to do with England being in big trouble. The Pound was falling, the empire was fading, it was the worst of times, it was the very best of music.” (Philip Random)

Genesis-1973-GabrielLiberty