455. real life

It’s 1984 and proto-goth underlords Bauhaus have broken up, but guitar guy Daniel Ash still has some shadows to explore with bassist (and former Bauhaus roadie) Glenn Campling, an outfit they’re calling Tones on Tail. And it all comes good (if weird) with Pop, an album that that goes all kinds of cool places that music of the moment generally doesn’t. In the case of Real Life, that means acoustic, expansive, dynamic – the right kind of psychedelic.

TonesONtail-1984

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reSEARCH-08 – The Whole Day

Installment #8 of what we’re calling the Research Series aired May-5-2018 on CiTR.FM.101.9

The eighth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, working no particular theme, pursuing no particular agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

reSEARCH-08

08. The Whole Day

citywide vacuum – carbon valence
Jah Wobble – sunshine
Agitation Free – you play for us today
Flying Saucer Attack – the whole day [partial]
Daevid Allen – I am [coda]
Can – spray
Sam Prekop – north south
Everly Bros – lord of the manor
Bob Dylan – father of night father of day
Jack Nitzsche – natural magic
Big Youth – lightning fragment
Holger Czukay – Hollywood Symphony

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.

456. the torture never stops

Apparently, Torture Never Stops was Frank Zappa’s response to Donna Summer’s monster disco hit Love To Love You Baby. “You want an orgasm on record? Here’s a proper orgasm.” Which doesn’t exactly explain the sado-masochism of the lyrics. But what does explain a Frank Zappa lyric past about 1969? The music on the other hand is its own justification – a prolonged exploration of a strange, dimly lit zone where the pleasure and pain seem indivisible, and we’re all consenting adults, right?

FrankZappa-1976-shades

457. pali gap

“On a bad night, with the wrong kind of ears, Pali Gap just sounds like more Hendrix noodling. The rhythm section locks into a groove, the great man proceeds to wander. But on a good night, with the right kind of lightning tearing up the sky, it’s a secret door to one of the Lord’s own mansions. Or as old friend Chris once put it, ‘With Hendrix sometimes, it’s not the notes he’s playing, it’s what they’re suggesting, except he plays so many f***ing notes, it’s impossible to grasp even a fraction of what he’s suggesting.’ So all the more reason to play Rainbow Bridge one more time (even if it has nothing to do with the movie of the same name).” (Philip Random)

JimiHendrix-rainbowBridge

458. long dark road

The Hollies were supposed to be finished by the time the 70s hit (Graham Nash had split to California, hooked with Crosby, Stills and eventually Young; their whole sort of sunny pop psychedelia just wasn’t a thing anymore), but, it turns out, they still had a tricks left, including in Long Dark Road, a serious gaze into the shadows. But not without those three-part harmonies, even if some of the names had changed, and would keep changing.

hollies-distant-light.

459. we can work it out

“In which a still quite young Stevie Wonder takes an entirely optimistic Beatles nugget straight to church and sort of saves us all. I suppose I may have heard it at the time (1970) percolating away in some pop radio background (while riots were no doubt tearing sh** up not so very far away). But it would be the 1990s before it slotted into the regular pop summertime playlist – all goodness and light, with children playing, birds tweeting, only occasional explosions.” (Philip Random)

StevieWonder-1970-live

460. the wild the beautiful + the damned

This was smart, prophetic stuff for 1977, but I was looking the other way. Too busy living its truth, I guess, being wild, beautiful, damned … when I wasn’t getting sucked the other way, being tame, ugly, saved. Hell, I think I even had a chance to see Ultravox! in 1977 or 78, but went to see Harry Chapin instead because that’s what friends wanted. Never trust anyone under twenty-one.” (Philip Random)

Ultravox-1977-TV

461. St. Dominic’s Preview

“It’s true. St. Dominic’s Preview (the song) should probably be way higher on this list. I guess I was just feeling a little allergic when I was compiling things – the danger inherent in loving any particular song too much, playing it too many times. Which is definitely the case here. You hear people talk about Celtic Soul – well, this is it, magical, mystical yet entirely grounded, even as it yearns and it reaches and … well, what the hell’s it about anyway? It’s about many things, it’s about everything, I suspect, it’s about cross-cutting country corners and every Hank Williams railroad train that cried, and Belfast being a hell of lot farther away than f***ing Buffalo. And the rest of the album‘s pretty damned strong as well.” (Philip Random)

VanMorrison-1972-live

008. The Final Countdown*

Installment #8 of The Final Countdown aired Saturday-May-5-2018 (c/o CiTR.FM.101.9).

Youtube playlist (somewhat incomplete).

The Final Countdown* is Randophonic’s longest, most random and (if we’re doing it right) relevant countdown yet – the end of result of a long and convoluted process that finally evolved into something halfway tangible in early 2018. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.

TFC-008

Installment #8 of The Final Countdown* went like this.

1150. DJ Me DJ You – because [DJ Swamp remix]
1149. Funkadelic – Vital Juices
1148. Rolling Stones – dance[s]
1147. Invaders of the Heart – voodoo-psyche
1146. America – a horse with no name
1145. Residents – hanky panky
1144. Eno-Moebius-Rodelius – tzima n’arki
1143. King Crimson – groon
1142. Marc Barreca – oleo strut
1141. Renaissance – trip to the fair
1140. Klaatu – prelude
1139. Tomita – snowflakes are dancing
1138. Tipsy – bunny kick (your mothers mix)
1137. Brian Eno – I’ll come running
1136. Guess Who – key
1135. Grateful Dead – Alligator etc
1134. Telesp – Scarab
1133. Ozark Mountain Daredevils – E E Lawson

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.