257. step right up

“I’ve already laid out my concerns about Tom Waits. His stuff often feels more like he’s acting, playing a part, than presenting genuine boosey, bluesy decadence and decay. But it is a hell of fine act, and Step Right Up, from 1976’s Small Change, is standalone genius anyway, a full-on Beat-skewering of everything that was ever phony, skin deep and ultimately ugly about consumer culture past, present and future. Always some asshole trying to sell you something you don’t need, trailing an oil slick wherever he goes.” (Philip Random)

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362. clap hands

“I said my piece already on why there’s probably not enough Tom Waits on the list. Basically, I think of him as a character actor working a particular role (blue and boozy and nicotine infused), whereas in real life, he just mows his lawn and reads his morning paper and shouts at his kids like the guy next door, and the guy on the other side as well. But it is a strong act, I’ll give it that, and it really had me with Rain Dogs, in fact that whole prolonged mid-eighties moment he had. Like it’s 3am and you’re miles from home, polluted drunk, getting rained on. Except it’s not real rain, is it? It’s Hollywood rain, and Hollywood lights, too. Probably wasn’t even real whiskey. Am I allowed to say that? Clap Hands is great whatever the real story.” (Philip Random)

TomWaits-onSet

 

842. hang down your head

“I stumbled onto Tom Waits through the movies (the songs he did for Francis Coppola’s One From the Heart mess, the beat hipster he played in Coppola’s Rumblefish, the idiot on the run in Down By Law) so I guess it makes sense that I think of him more as a showbiz guy than the essential musical force that some seem to. Yeah, he can lay down the gravely depths, but how much of that is just acting, pretending, NOT real blues, soul, whatever.  But then you hear something like Hang Down Your Head, which is the kind of song Bruce Springsteen only wishes he could write, and you realize you’re probably wrong.”

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