848. five miles out

“I don’t generally buy Mike Oldfield as a pop contender. That’s just something he had to do for a while in the 1980s to shift a few units so he could keep cranking out the big deal epics. But Five Miles Out (found on the album of the same name) definitely rates, if nothing else, as one of the weirder singles to ever at least flirt with the charts. Ethereal vocals c/o Maggie Reilly, vocoder and metal licks c/o Mr. Oldfield, and a story being told of a small airplane caught out in hurricane weather. Or if you’re thinking metaphorically, it’s about any of us at a crisis point. Sometimes, you’ve just got to fix a course, and hold true, either get to the other side of the storm in question or get annihilated trying. At least that’s how my friend Charles put it to me, late 80s sometime, having emerged from a very dark point in his young adult life. He made it.” (Philip Random)

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887. if there is something

The post Brian Eno, pre valiumized Roxy Music captured in full live force, taking an okay sort of half-country experiment from their first album and pumping it full of all kinds of delirious drama. Stick with it through the violin solo, the conclusion is as big and rich and mercurial as love itself. From 1976’s Viva! which was in fact recorded on Roxy’s 1974 tour.

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889. Odessa (city on the Black Sea)

In which the Bee Gees take a grand and ambitious swing for the heart of all things (or wherever), it being the thing to do in 1969. The big double album is called Odessa, and though all the songs may not be conceptually linked, it does have a nifty plush red velvet fold out sleeve. And the title track is definitely an epic, like something from a lost century where vicars still figure in love triangles and heroes get marooned on icebergs, and great choirs and orchestras rise in yearning and empathy.

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