37. Eskimo [the random edit]

“Because if you’re not at some point listening to music that has turned into noise, or perhaps noticing that noise has turned into music – you’re not trying hard enough. And I’ve definitely tried in my time. I’ve listened to The Residents a lot over the years. There’s certainly a lot to listen to. None of it remotely ordinary, some of it outright sublime. Though they disappointed me when I finally saw them live. Not that there was anything wrong with the show. It was just too human somehow, all my notions dashed that they were aliens of some sort, or spirit entities or maybe some kind of future post-humans come back to check up on us. Nope, they were just people wearing eyeball masks, cranking out weirdly weird music. Yet an album like Eskimo (various parts of which constitute this edit) still gets me wondering. Because it just doesn’t feel like it’s from this world. It feels beyond us somehow, and sublimely, enticingly, alluringly so. Of course, maybe that’s what living in the Arctic is really like, or was anyway, for the millennia before electricity finally showed up. Maybe that’s the whole point. We have met the aliens. The aliens are us.” (Philip Random) 

390. hypnotized

https://www.youtube.com/watch?v=Bt-2g9qf0Ds

“There is no Steely Dan on this list, mainly because I figure you’ve already heard everything of theirs that I genuinely love (which to be honest, is almost all on their first album). Not that I’d deny they were an immensely talented crowd – they just weren’t for me. Too smooth and easy to listen to (albeit hard to play), too mid-70s soft rock and sophisticated and all tangled up with cocaine culture. Which Hypnotized captured perfectly, even if I didn’t particularly like what was getting captured, it was rendered beautiful anyway, and mysterious. Except I could never find the album it was from. Because it wasn’t Steely Dan as I finally figured out one day well into the 1990s. It was Fleetwood Mac, wandering through their vague middle period, lost somewhere between their late 60s psychedelic blues and their mid-70s supernova status. When Bob Welch was doing much of the steering.” (Philip Random)