643. meadows

Joe Walsh tends to get conveniently filed away as the fun loving stoner guy who eventually got scooped up by the Eagles and then whatever. But that misses the point that The Smoker You Drink The Player You Get is one of the genuinely best American albums of its time, and thus of all time, because albums are where it was at in 1973. The big hit was Rocky Mountain Way (speaking of fun loving stoner rock), but my fave will always be Meadows, one of those songs that sent this very young man wild and free, running through fields, leaping old stone walls. Dreaming about it anyway, as I was mostly stuck in suburbia at the time. Nice melody, killer guitar riff, but it’s the drums that still send me, the way they come crashing in like a flash flood, the kind that saves your life rather than ends it. Hallelujah.” (Philip Random)

JoeWalsh-1973-2

730/29. midnight moodies + happy ways

“Two in a row from Joe Walsh‘s The Smoker You Drink, The Player You Get. Everybody knows the big deal hit, the one about getting high, the Rocky Mountain way, and it’s a classic. But that goes for the whole album, a set of songs that are thankfully not all trying to be the same thing. In the case of Midnight Moodies, that means a cool instrumental groover, ideal for late night driving in warm climes. And then, it’s seamlessly into the reggae stylings (years before such became a soft rock cliché) of Happy Ways, which is truth in advertising. One of the most joyful songs I know. Dig into it a bit, and you discover it’s really bassist Kenny Passarelli‘s tune, who took the lead vocal, and he co-wrote it (as he did Rocky Mountain Way). So yeah, all hail Barnstorm, the band. And Joe Walsh for letting everyone shine.” (Philip Random)