Author Archives: Randophonic

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About Randophonic

For now, I'm best thought of as a radio program. Sometimes it may seem I'm all the work of one person, other times many. What matters is the program.

772. at the sound of speed

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The Boo Radleys didn’t get much notice at the time (certainly not over here in the Americas, and what notice they did get tended to be for the wrong stuff), but if you were in the right place in 1991-92-93, tuned to the right frequencies, you were lucky enough to know a godlike, noisy and powerful pop that could cause actual changes in the weather. Maybe if they’d bothered to put something as gobsmackingly ascendant as At The Sound of Speed on an actual album as opposed to burying it on the b-side of an EP, things might have played out a little differently.

BooRadleys-live

773. sickle clowns

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“As the story goes, The Pretty Things never got around to Invading America properly and thus they stand as the one essential Brit band of the swinging 60s that never really made it into the so-called Classic Rock canon – the upside being that I never got remotely sick of them. Sickle Clowns comes from 1970, and as with many of the better records from that year, you can feel the change that must’ve been in the air, the flower power well on the wane, the shadows growing, the sparkle fading as the drugs wore off.” (Philip Random)

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774. starship

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In which the legendary MC5 kick things so hard, loud and superlative that the very rules of physics break down, all known boundaries of space and time dissolve, music and noise fuse as a higher sonic form, Sun Ra‘s starship is encountered roughly halfway to Jupiter (or perhaps Africa), and entire galaxies are set blissfully free.

MC5-1969

775. psychedelic shack

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No Motown act embraced the psychedelic stuff quite so thoroughly as the Temptations, with 1970’s Psychedelic Shack (song and album) their most obvious offering in that regard. “Fact is, there were psychedelic shacks in all three of the suburbs where I served my pre and early teen years (late 60s, tipping into the early 70s). Absolute no-go zones where long-haired freaky people set snares for small children, to be sacrificed unto Satan in acid drenched rituals come the next full moon. Later, I realized they were mostly just teenagers hanging out, and my parents were full of sh**.” (Philip Random)

776. 7 and 7 is

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“Love were already on their second album by 1966, and hitting their timeless stride. Of course, being only seven years old at the time, I was more into the Monkees, Herb Alpert and Peter Paul + Mary, so I’d have to wait thirty years before I could declare that 7 and 7 was a pretty much perfect chunk of garage psychedelia – short, sharp, smart, and with a nice explosion at the end.” (Philip Random)

Love-1966

777. jigsaw puzzle

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In which The Rolling Stones, at the absolute peak of their late 1960s form, wax artful, poetic, Dylanesque even as to the nature of life, the universe, everything – and conclude it’s all just a jigsaw puzzle more or less. But not before twenty-thousand grandmas are seen waving hankies, burning pension checks, shouting it’s not fair.

Charley Smoking.tif