271. dead babies

“I guess I was twelve when I first started hearing about this guy named Alice Cooper who was some kind of reincarnated witch that murdered chickens on stage and hacked baby dolls to pieces, and his shows always ended with him getting hung from the neck until he was dead, but being a demon, he could never really be killed. But what was truly shocking was the music when I finally heard it. How good it was. Not just ugly noise like you’d expect from a baby murdering demon from hell, but actually kind of nice in places, beautiful even, which made the evil stuff all the more frightening, twisted, and yeah, hilarious, because anything that could piss off adults that much had to be hilarious. The album in question was Killer and now some decades later, it’s still song-for-song one of the best I’ve ever heard, from any band, from any era, with Dead Babies the epic track toward the end about, you guessed it, dead babies and how they just can’t take care of themselves. Sad but true.” (Philip Random)

AliceCooper-1971-baby

272. burn the flames

“The mid 1980s were actually one of the coolest times ever on planet earth. It just didn’t make the papers much. You had to do some digging, listen to the right radio stations, go to the right movies. And few movies have ever got it more right than Return of the Living Dead – the one that doesn’t take anything remotely seriously and ends up being fiercer, wilder, better than than pretty much every other zombie movie ever made before or since. And the soundtrack album’s a definite keeper. Look no further than Roky Erickson‘s Burn The Flames, work of a certifiable madman, completely concerned with luxuriating in the very flames of hell. All for the love of brains.” (Philip Random)

RokyErickson-1986

273. plastic people

“As a kid who hit his teens in the early 1970s, I sort of always knew about Frank Zappa and his Mothers and their various crimes against humanity, but I never really fell in love until I heard Absolutely Free toward the end of high school, Plastic People in particular, and how nastily, incisively, hilariously it skewered all the transparent, pre-fab zombies I walked the halls with, who I once thought of as friends, but now, they just seemed hard-wired for lives of desperate boredom, intent on becoming just like their parents, only worse, because normal always gets worse. Yet Plastic People is in fact not about suburbia 1977, but Los Angeles 1967, a grand piss take of pretty much everyone, even the hippies, and how there was plastic where their souls should have been. It was just that kind of town, I guess. Still is, apparently.” (Philip Random)

FrankZappa-1967-Absolutely

274. Have you see your mother, baby, standing in the shadow?

In which the Rolling Stones make it clear. They’ve been messing with the ole lysergic and listening to their Bob Dylan, and most important, figuring a way to make it all their own, dirty, noisy and true. It’s 1966 and the summer of love may be pending, but beware those shadows, long and deep. And your mother. Not just a little Freudian.

RollingStones-1966-drag

275. death disco

There’s no shortage of rage in the Johnny Rotten (aka Lydon) discography, but nowhere else does so much sorrow show itself than in Death Disco (aka Swan Lake because it cops a bit of the Tchaikovsky melody), a track recorded immediately after the death of his mother (she requested some disco for her funeral). It actually hurts to listen to it, but in a good way (not that the whole album doesn’t lean that way) — the punk is revealed as all too human, just in case there was any doubt.

PIL-1980-Bandstand

276. that’s entertainment

“Call me agnostic on The Jam. Don’t hate them, just never really joined the fan club. Which is not to say they didn’t nail it every now and then. Like with That’s Entertainment, hitting like a scene from a movie that never got made, the one where the mod punk sort of new wave guy puts down his electric guitar, grabs his acoustic and gets to hard strumming, spitting out his disgust at all the ugliness getting passed off as beauty, all the villains getting sold as heroes, all the nightmares with laugh tracks. Just smile, folks, call it entertainment, and don’t mind the rotating knives.” (Philip Random)

Jam-1980-streetpose