848. five miles out

“I don’t generally buy Mike Oldfield as a pop contender. That’s just something he had to do for a while in the 1980s to shift a few units so he could keep cranking out the big deal epics. But Five Miles Out (found on the album of the same name) definitely rates, if nothing else, as one of the weirder singles to ever at least flirt with the charts. Ethereal vocals c/o Maggie Reilly, vocoder and metal licks c/o Mr. Oldfield, and a story being told of a small airplane caught out in hurricane weather. Or if you’re thinking metaphorically, it’s about any of us at a crisis point. Sometimes, you’ve just got to fix a course, and hold true, either get to the other side of the storm in question or get annihilated trying. At least that’s how my friend Charles put it to me, late 80s sometime, having emerged from a very dark point in his young adult life. He made it.” (Philip Random)

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880. hope for the heartbeat

Bill Nelson first got some notice via the ill-fated glam-art-prog-whatever outfit Be-Bop Deluxe for whom he sang and unleashed gobsmacking guitar wizardry. But come 1982’s The Love That Whirls (diary of a thinking heart), his fifth solo release, he’d ditched the guitar, gone all-in with keyboards, drum machines, tape loops, the future in general. And hopeful it was in an artful sort of way.

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897. TV Party

Wherein American punk-hard-core (whatever you want to call it) bushwackers Black Flag unleash a profound anthem of insight and purpose unto the world. Because we’ve all done it, invested precious hours of our lives in smoking dope, drinking cheap swill, watching crap on TV. Originally found on an EP of the same name, but most of us heard it first care of the Repo Man Soundtrack which, it’s true, probably saved the western world, but first it had to destroy it.

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899. from the air

Nothing sounded stranger, cooler, more fiercely new in 1982 than Big Science, Laurie Anderson’s debut album. But strip away the art-scene façade and, “She’s just a nice young lady playing her fiddle and telling stories. What’s so odd about that?” (to quote a Texan club owner from back in the day). From The Air would’ve been the one about the plane crash where the pilot thought he’d have some wordplay fun on the way down.

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913. big electric cat

Adrian Belew was the guitar phenom of the late 70s, early 80s – started with Zappa, got snagged by Bowie, moved through Talking Heads, then straight to the front of the great King Crimson resurgence of 1981. A solo album was inevitable but ultimately (inevitably) disappointing. Which doesn’t mean he didn’t leave us with at least one monster party track, the Big Electric Cat that was the cool DJ’s best friend for a good long while. “Just slap it on and watch the room go off. Even the frat boys seemed to dig it.” (Philip Random)

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957. smokeless zone

XTC was never a band that was afraid to pursue a little open experimentation in the name of pop. Smokeless Zone was a b-side that came our way via 1982’s Beeswax, which was all b-sides, all worth troubling your ears with.

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