It’s 1981 and King Crimson main man Robert Fripp has reformed the band (after better part of seven years in the wilderness) with a whole new sound and Discipline, and the result is thundering (to put it mildly). Thela Hun Gingeet translates as Heat In The Jungle and it concerns an experience that Adrian Belew (the new guy) had while out for a walk with a tape recorder in the still rather mean streets of NYC. Word is, it actually caused stereo systems to catch fire back in the day.
The twelfth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.
12. an admission of headroom
Bob Marley – soul rebel
Jane Birkin + Serge Gainsborough – Jane B
Mahavishnu Orchestra – you know you know
Beatles – sleeping vibes
Eno + Byrne – come with us
David Pritchard – an admission of guilt
FM – headroom “reflections”
King Crimson – sailor’s tale
Giorgio Moroder + David Bowie – the myth
Propaganda – the last word [strength to dream]
Klaatu – across the universe in eighty days
King Crimson – Prince Rupert’s coda
Neu! – e-musik [part 2]
Randophonic – Oyster Bay [excerpt]
Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.
“By 1971’s Islands, their fourth album in barely two years, the force of mind and nature known as King Crimson were not so much lost as just a very long way from shore. Down to only two of the original five members, and one of them (Pete Sinfield) had never provided much in the way of actual music, just “… words, sounds and visions, cover design and painting, production” (and in fact, he was on his way out, Islands would be his last Crimson involvement). Robert Fripp, on the other hand, was firmly ensconced on whisper-to-apocalyptic-howl guitar, with Sailor’s Tale a particularly powerful offering. Just wait until whatever high you’re riding is at its peak, then crank the sound system and wait for that sucker punch eruption at around the 4-and-a-half minute point. Not a sudden eruption from silence. No this is far trickier than that. Because the song’s already charging along at that point. It just suddenly goes way further. The earth shakes. The skies open. A gaping hole gets blown from the jigsaw of time.” (Philip Random)
The Final Countdown* is Randophonic’s longest, most random and (if we’re doing it right) relevant countdown yet – the end of result of a long and convoluted process that finally evolved into something halfway tangible in early 2018. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.
Installment #8 of The Final Countdown* went like this.
1150. DJ Me DJ You – because [DJ Swamp remix]
1149. Funkadelic – Vital Juices
1148. Rolling Stones – dance[s]
1147. Invaders of the Heart – voodoo-psyche
1146. America – a horse with no name
1145. Residents – hanky panky
1144. Eno-Moebius-Rodelius – tzima n’arki
1143. King Crimson – groon
1142. Marc Barreca – oleo strut
1141. Renaissance – trip to the fair
1140. Klaatu – prelude
1139. Tomita – snowflakes are dancing
1138. Tipsy – bunny kick (your mothers mix)
1137. Brian Eno – I’ll come running
1136. Guess Who – key
1135. Grateful Dead – Alligator etc
1134. Telesp – Scarab
1133. Ozark Mountain Daredevils – E E Lawson
Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.
As the story goes, Robert Fripp shut down the original King Crimson in 1974, claiming an overall disgust with the way the music industry world was going in those days. Of course, it could be argued that was version seven anyway, so many members having already come and gone from the Crimson court since 1969. But the intervening silence was inarguable. Nothing until 1981 when a fresh line-up kicked into gear with a whole new Discipline, which was maybe starting to lose some of its freshness come 1984’s Three of a Perfect Pair. But not on Side Two. Not Industry. That was what the world actually sounded like in 1984. Everything grinding, droning, hissing, giving off toxic vapors, finally erupting with savage urgency.
Second of two in a row from the same King Crimson 7-inch single, though Philip Random first heard both Groon and Cat Food via the 1976 compilation Young Persons Guide to King Crimson. “I still get a chuckle at the thought of a track like Groon being allowed anywhere near a record with pop ambitions. Not that it actually charted or anything. Just the idea of it. And the execution. King Crimson being not just one of the brainiest outfits ever (care of main man Robert Fripp), but also one of the best in terms of pure chops and articulation, regardless of who was in the line-up at the time. Subsequent live versions of Groon would prove to be longer, deeper excursions, but I’ve always preferred the original’s tighter, sharper, more compact assault.”
King Crimson were a mess come 1970. A year earlier, they were tearing up the zeitgeist with their debut album, re-framing the very definition of so-called rock music. But one North American tour later, almost everybody had bailed – for reasons of love, sanity or, in the case of singer Greg Lake, greater fame (and riches) with the outfit that would come to be known as ELP. Though he did stick around long enough to deliver a few vocals for the second King Crimson album, including the oddly cut-up attempt at pop glory Cat Food, which, of course, failed in the unit-shifting department, but only because it was (and likely still is) at least half a century ahead of its time.
The Solid Time of Change has been our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we’ve tried to begin to do justice to a strange and ambitious time indeed, musically speaking.
The final stage of the journey went as follows:
Yes – And You and I
King Crimson – Court of the Crimson King
Genesis – Supper’s Ready
King Crimons – Starless
Beatles – A Day in the Life
Yes – Close to the Edge
If you’re late discovering all of this and wish to start at the beginning …
Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page. We have no clear plan for what shall happen next beyond more superlative noise in some form or other …
The Solid Time of Change is our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.
Part Forty-Seven of the journey went as follows (selections 28-23):
King Crimson – Red
Genesis – the carpet crawlers
Genesis – Firth of Fifth
Yes – The Revealing Science of God
Yes – The Gates of Delirium
Pink Floyd – shine on you crazy diamond [I-IX]
Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook page.