92. break on through

“Because as the wise ass said, ‘Why did Jim Morrison cross the road?  To break on through to the other side.’ But seriously, as lead off tracks from debut albums go, The Doors’ Break On Through is about as perfect as they come. A dark eruption of summer of love psyche-rock that tells no lies, promises maybe everything and pretty much delivers. But the version I’ve ended up listening to most comes from barely three years later, the double album Absolutely Live, wherein the band (via some psychedelic time trick) have clearly been on the road for centuries, howling the gods’ eternal truth to the hungry children of man, all those dead cats, aristocrats, sucking on young men’s blood and soldiers’ skulls up and down the ages, so all the more reason to chase pleasures, dig treasures, break on through the veils and filters and doors that deceive us, because though now may always be the time, it was never so evident as it was way back when, the so-called 60s rising to their peak, storming for heaven, or perhaps oblivion … whatever’s waiting beyond the great within.” (Philip Random)

535. [love hides] five to one

“I had a copy of the Doors’ Absolutely Live kicking around for years before I finally listened to it, grabbed cheap for future reference, I guess, because at the time I was going through a prolonged phase of just not being into Jim Morrison and his bullshit, poetic and otherwise. Early 1990s finally, I put it on and what blew me away was the band. Hot shit indeed for a trio (guitar, drums, organ – the bass notes coming from the Ray Manzarek’s left hand). And yeah, I had to admit the singer had a certain something too, not remotely afraid to howl his angst and poetry and prophecy at the universe. We’re all doomed apparently.” (Philip Random)

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