895. fog on the Tyne

“I knew nothing about Lindisfarne other than the fact that they were on Charisma, the same label that Genesis got started on. Which is why my friend Carl’s big brother bought Lindisfarne Live. He figured any album with that Mad Hatter graphic in the middle couldn’t be bad. He listened to it once, and (not being into ‘folk shit’) gave it to Carl, who didn’t think much of it himself, so it ended up with me, buried in the deep end of my collection, barely listened to for at least a decade before I dragged it out one sloppy, stoned 1980s evening, and holy shit, it was fun, it had edge, it had drunken British hippie folkies taking wets on the wall. Radical shit.” (Philip Random)

lindisfarne-live

1037. Heavy Horses

Jethro Tull main man Ian Anderson was nothing if not level-headed come 1978.  While many of his fellow formerly cool rock star types were scrambling (often pathetically) in attempts to reinvent themselves as somehow edgy and relevant in the face of punk rock etc, he just told it like it was — that he was more concerned about his farm up in Scotland than the state of the zeitgeist, the big horses in particular. The album in question may have seemed a throwback at the time, but over time, its mix of folk and rock elements has come to feel more timeless than anything.

1073. The Band Played Waltzing Matilda

https://www.youtube.com/watch?v=7EC6MrPVwr0

“The Pogues were exactly what the mid 1980s needed. The original London punks had finally blown all their fuses, with the Clash’s inglorious meltdown being the most recent notable calamity. Enter a bunch of guys (and sometimes a girl) with way too much Irish blood in their veins, grabbing their parents old instruments off the wall (and a few of their tunes), and thrashing away like it truly f***ing meant something, which in the case of The Band Played Waltzing Matilda, it did. Because as the wise woman said, the universal soldier, he really is to blame.” (Philip Random)

Pogues-RUMetc