The genius of Todd Rundgren is that he can do anything – pop, soul, rock, prog, abstract avant whatever. The worst thing about Todd Rundgren is that’s exactly what he does a little too often — anything and everything all at the same time, and it all just ends up getting in the way of itself. But not so the title track of Healing (which ends up filling all of side two). It’s 1981 and drum machines and synths and sequencers are the cool new toys of the moment, and, genius that he is, Todd knows exactly how to play with them, to genuine therapeutic effect.