633. hot burrito #2

“Second of two in a row from Gilded Palace of Sin, the Flying Burrito Brothers’ debut masterpiece of countrified rock. Because you can’t really hear one Burrito without the other, both apparently concerning the same girl, the same tormented relationship, which of course only makes the country stylings more relevant. Or as Motron puts it, ‘the country stuff set the drugged out hippie rock stars free to mix whiskey and heroin and broken hearts – a terrible way to live, but it sure made for some kickass and essential music.” (Philip Random)

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634. hot burrito #1

“It must’ve felt very weird when the Flying Burrito Brothers first hit in 1969. Out of all the psychedelicized weirdness and envelope smashing wildness of the previous years comes … country rock!?!? My friend Motron’s theory is that it was all tied to the assassination of Martin Luther King – that up until springtime 1968, the big dream of All You Need Is Love was alive and well and thus the white man’s pilfering of the black man’s music was all just part of the shiny happy game. But after that – it just didn’t feel right anymore. And thus Nudie suits and pedal steel and so-lonesome-I-could-die ballads suddenly felt somehow relevant – the white man’s soul music, as it were. Bob Dylan, of course, was ahead of the game as usual, but it took Gram Parsons and crew (by way of the Byrds) to really make it a fact. And it’s all there on Gilded Palace of Sin – one of those albums that truly does not have a weak moment.” (Philip Random)

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