108. eat the rich

“In which Motorhead make it clear, it must be done, the rich must be eaten. It’s the only way we’re ever going to set all the children free. And Eat The Rich (the movie) in all its punk, sloppy, inconsistent atonal elegance is a much overlooked masterpiece. How could it not be, with Lemmy on board as the communist insurgent’s right hand man? But he’s no communist. Nor anarchist, leftist, activist of any kind. He’s a hard rock bassist, which is its own justification, it seems. Which is pretty much everything I could ever say about the monster that is-was-shall-always-be Motorhead. You don’t explain it, you just get it (or not). Maybe not the kind of stuff I listen to a lot in my day to day life … but every now and then, f***ing essential.” (Philip Random) 

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562. spot the difference

“If you think you ‘get’ the music of the mid-1980s but you don’t know Tupelo Chain Sex, you’re wrong. The cover of 1984’s Spot the Difference may suggest a hardcore outfit, but it’s not remotely as simple as that. Because what hardcore band includes fiddle (c/o Don Sugarcane Harris) and saxophone in its weaponry, not to mention reggae, jazz and other unbound tendencies? And man, did they kill it live! True, some of the lyrics were rather dumb (the stuff about the Jews roaming around murdering blacks – seriously?). Welcome to 1984, I guess. Passion and rage as big as the world, and about as rational.” (Philip Random)

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