“Fred Frith being one of those geniuses who pretty much always let his playing do the talking, Gravity being an album that dates back to 1980, but it was deep into the 1990s before I gave it a proper listen. Music that stood the test, no doubt about that. Or more to the point, music that had confidently showed the way to the cool future we were then having. Rock and jazz and folk and all manner of exotic elements all humming along very nicely together, not world music per say, but what the world actually sounded like, with Hands of the Juggler a delirious standout, particularly once it shifts gears around the three-minute point.” (Philip Random)
Five albums into their career and XTC were simultaneously sick to death (literally) of the obligatory punk-pop-new-wave bullshit and ready for something big. And big was definitely the word for English Settlement, a double album at a time when bands just didn’t do that anymore. And an album it was. Yes, a few singles were released, but the songs worked best together, all in a rich, sumptuous flow, with Jason and the Argonauts stretching things out almost progressively – whatever that word even meant anymore come 1982.