“It’s true. Can saved us all at least a decade before most of humanity even knew of their existence (my corner of it anyway). Because while everybody else was reeling from the meltdown of the Beatles, the deaths of Jimi Hendrix, Janis Joplin, Jim Morrison, the end of 1960s in general, backtracking deeper and deeper into so-called authentic blues, or going all progressive, singing of castles, strange kingdoms, lost dimensions (not that there was anything particularly wrong with it) … the Communist-Anarchist-Nihilist combo known as Can (operating out of their own schloss in Koln, West Germany) were still fiercely working the now, deep into the pretty much infinite groove of Halleuwah, the Lord be praised indeed! Howls and riffs and passing rips of melody and noise and the best f***ing drummer ever — the whole mad stew still sounding fresh and dangerous and profoundly ahead of its time even now, decades later. Why is it not way higher on this list then? Good question. I guess I must’ve been just post a phase of listening to it too much when I was compiling things.” (Philip Random)
“Can‘s Tago Mago is the greatest album in the history of humankind. At least it was (for me) for a good chunk of 1986-87. Sounds that were so far ahead of their time even then (a decade and a half after its release) that normal folks are still trying to figure it all out. Hint: it’s applied magick, four Germans cranking out the avant-grooves and textures, Japanese singer cruising cosmically in and out of it all as only 1971 could allow. The Axis powers of WW2 reunited (sort of, Can never containing any Italians), but this time taking the right drugs, only concerned with conquering all of the world’s freak scenes. Which is as it should be.” (Philip Random)
Last week’s Randophonic radio was completely concerned with the music of Can and Jaki Leibezeit (who died recently). So much so that it requires three Mixcloud streams to do it all justice. The first two are a re-run of an old Randophonic show called Canned Goods, with the third a recent mix of material that Herr Lebezeit contributed to outside of Can (1977-2013).