21. the beautiful ones

“Second of two in a row from the artist known as Prince, because you just don’t do justice to what he accomplished through the 1980s with a single item. In 1984, that would’ve meant Purple Rain (album and movie), which for me finally drove home the point that the most necessary music-art-whatever-you-want-to-call-it almost never comes from where you’re expecting it. In other words, I walked into the movie theatre more curious than anything (what were the kids all so excited about?) and walked out a lifelong fan of this almost annoyingly talented (so-called) black guy – something I absolutely did not see coming. With The Beautiful Ones perhaps the most necessary track of all for its evocation of an infatuation so pure and delirious, the only word to describe it is … purple? By which I mean not the colour of grape juice but affected, bloated, fancy-pants, grandiose, inflated, pompous, pretentious, stilted, excessive, flattering, fulsome, boastful, bombastic, elevated, eloquent, lofty, ultimately regal. Because such is true love. If it ain’t worth taking to a preacher right f***ing now, it ain’t the really thing. Or so I’ve been told.” (Philip Random)

539. around the world in a day

Prince (and his Revolution) go drug free psychedelic in the middle of the least psychedelic decade since at least the 1950s, with the title track of their first post Purple Rain album. And it works. The whole album works in its multi-coloured way, not bothering to try to measure up to what had come before, just being its own voluptuous thing. And, for the record, the 1980s were actually quite psychedelic … if you were going to the right parties, hanging around in the right rec-rooms, mountaintops, isolated beaches and islands. What it wasn’t doing was making the papers, and all the stronger for it.” (Philip Random)