333. numbers + computer world

“I first heard Kraftwerk‘s Computer World at Michael’s place. A sort of slimy guy that we used to buy dope from back in the late 70s, early 80s. He lived in a high rise near English Bay, always had the stereo on loud, usually playing shitty soft rock. Except this one time, a beautiful day, sun glowing in off the bay – it was this cool machine music. Kraftwerk, I would’ve guessed, except Kraftwerk weren’t around anymore, were they? A couple of gimmicky robot records back in the mid-70s and then back to Germany. I was right. It was indeed Kraftwerk, still cranking out the future. I was wrong. They were anything but a gimmick. Suddenly, I had a pile of exploring to do.”

Kraftwerk-1980-computerWorld

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853. clear as the driven snow

“There ought to be a law that when a band changes its sound as thoroughly as the Doobie Brothers did in the mid-1970s, it should also be required to change its name, if only, so future generations don’t get forever stuck confusing the cool, rocking stuff with the soft, latter day sponge ball stuff.  Anyway, for the record, the Doobies peaked in about 1973 with an album called The Captain and Me that didn’t just boast mega-hit rockers like China Grove and Long Train Runnin’, it also had a stretched out mini-epic called Clear As The Driven Snow. Apparently it’s about cocaine abuse, but it’s always been more of a marijuana fave of mine.” (Philip Random)

doobiebros-1973