reSEARCH-08 – The Whole Day

Installment #8 of what we’re calling the Research Series aired May-5-2018 on CiTR.FM.101.9

The eighth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, working no particular theme, pursuing no particular agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

reSEARCH-08

08. The Whole Day

citywide vacuum – carbon valence
Jah Wobble – sunshine
Agitation Free – you play for us today
Flying Saucer Attack – the whole day [partial]
Daevid Allen – I am [coda]
Can – spray
Sam Prekop – north south
Everly Bros – lord of the manor
Bob Dylan – father of night father of day
Jack Nitzsche – natural magic
Big Youth – lightning fragment
Holger Czukay – Hollywood Symphony

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.

456. the torture never stops

Apparently, Torture Never Stops was Frank Zappa’s response to Donna Summer’s monster disco hit Love To Love You Baby. “You want an orgasm on record? Here’s a proper orgasm.” Which doesn’t exactly explain the sado-masochism of the lyrics. But what does explain a Frank Zappa lyric past about 1969? The music on the other hand is its own justification – a prolonged exploration of a strange, dimly lit zone where the pleasure and pain seem indivisible, and we’re all consenting adults, right?

FrankZappa-1976-shades

457. pali gap

https://www.youtube.com/watch?v=HSJIJjI9cmQ

“On a bad night, with the wrong kind of ears, I suppose Pali Gap sounds like just more Hendrix noodling. The rhythm section locks into a groove, the great man proceeds to wander. But on a good night, with the right kind of lightning tearing up the sky, it’s a secret door to one of the Lord’s own mansions. Or as old friend Chris once put it, ‘With Hendrix sometimes, it’s not the notes he’s playing, it’s what they’re suggesting, except he plays so many f***ing notes, it’s impossible to grasp even a fraction of what he’s suggesting.’ So all the more reason to play Rainbow Bridge one more time (even if it has nothing to do with the movie of the same name).” (Philip Random)

(image source)

458. long dark road

The Hollies were supposed to be finished by the time the 1970s hit having lost Graham Nash to Crosby and Stills (and sometimes Young) and their almost Beatles levels of international success. But it turns out, the pop outfit from Manchester still had a few rather brilliant tricks left, including Long Dark Road‘s rather grim gaze into the shadows. Released as a single, it didn’t go anywhere, though room was found on The Hollies Greatest Hits, which is where Philip Random found it. “One of those hits compilations that absolutely delivers. Not a wasted second.”.

(photo: Brian Pieper)

459. we can work it out

“In which a still quite young Stevie Wonder takes an entirely optimistic Beatles nugget straight to church and sort of saves us all. I suppose I may have heard it at the time (1970) percolating away in some pop radio background (while riots were no doubt tearing sh** up not so very far away). But it would be the 1990s before it slotted into the regular pop summertime playlist – all goodness and light, with children playing, birds tweeting, only occasional explosions.” (Philip Random)

StevieWonder-1970-live

460. the wild the beautiful + the damned

https://www.youtube.com/watch?v=ayx8mn3i8rU

This was smart, prophetic stuff for 1977, but I was looking the other way. Too busy living its truth, I guess, being wild, beautiful, damned … when I wasn’t getting sucked the other way, being tame, ugly, saved. Hell, I think I even had a chance to see Ultravox! in 1977 or 78, but went to see Harry Chapin instead because that’s what friends wanted. Never trust anyone under twenty-one.” (Philip Random)

Ultravox-1977-TV