604. For Calvin + his next two hitchhikers

“Everybody’s got that Frank Zappa track which, for whatever reason, hooked them into realizing, holy sh**, this guy’s way more than just a hippie weirdo with a dirty sense of humour. For me, don’t ask me why, it was For Calvin and His Next Two Hitchhikers. Maybe it was the relaxed yet deranged bigness of sound, because The Grand Wazoo was definitely a big sounding endeavor. Maybe it was the oddly incomplete story being told concerning the two dudes in the back of the car. Where did they come from? Where did they go? Did they find a sandwich? Did they eat it in the dark? And why do I care? Maybe it was that leakage from the drain in the night. Early 1980s sometime. There were probably psychedelics involved.” (Philip Random)

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637. A Passion Play

“It seems insane to even think about it now, but in 1972 Jethro Tull conquered the world with a 43-minute-44-second song called Thick as a Brick that comprised the entire album of the same name. Adventurous, dense, continuous, it even half made sense, both musically and lyrically. So what did Ian Anderson (Tull main man) and his talented crew do for a follow-up? Another album long song, this one called A Passion Play, which proved even more dense and adventurous than Thick As A Brick. And I’m still trying to figure it out. Actually, that’s a lie. I gave up a long time ago, because as a friend concluded, ‘Man, you’ve gotta be Ian Anderson’s f***ing brain to know what any of that’s supposed to mean.’ Which doesn’t mean I ever stopped listening to it. I guess I just pretend I’m Ian Anderson’s brain for a while.” (Philip Random)

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638. musicione

By 1973, The Guess Who were mostly on the wane, certainly as a commercial force. Randy Bachman was long gone, and what had been a outfit that couldn’t seem to help cranking out the hits now seemed more interested in just being an improper rock ‘n’ roll band, drinking and drugging and whoring around. Which doesn’t mean the music was dead – you just weren’t hearing it that much on the radio anymore. Musicione for instance. A smart rocker with a loose jammed-out feel that ends up feeling like a hymn toward something or other. Who makes the music when you die?  Somebody else, obviously.

643. meadows

Joe Walsh tends to get conveniently filed away as the fun loving stoner guy who eventually got scooped up by the Eagles and then whatever. But that misses the point that The Smoker You Drink The Player You Get is one of the genuinely best American albums of its time, and thus of all time, because albums are where it was at in 1973. The big hit was Rocky Mountain Way (speaking of fun loving stoner rock), but my fave will always be Meadows, one of those songs that sent this very young man wild and free, running through fields, leaping old stone walls. Dreaming about it anyway, as I was mostly stuck in suburbia at the time. Nice melody, killer guitar riff, but it’s the drums that still send me, the way they come crashing in like a flash flood, the kind that saves your life rather than ends it. Hallelujah.” (Philip Random)

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644. swimming song

“In which Loudon Wainwright III waxes poetic about leaping bravely into the river, the lake, the ocean that is all life, the universe, everything … and not sinking. Or maybe it’s just about tossing yourself into a chlorinated pool and working on your strokes. I mean, this is the guy whose monster hit of the previous year was about a dead skunk and how bad it smelled. Great stuff either way.” (Philip Random)

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661. muscle of love

“No doubt about it. Alice Cooper, the band, was one of the greatest outfits to ever rock a concert stage, outrage a parent, drive a young boy (or girl) wild. But by late 1973, that was ending. Alice Cooper (the guy) was about to part ways with his band and become just not that interesting anymore (ie: the commoditized showbiz version of the genuine threat he’d once been). But the group still had one rude and strong and sometimes smart album left in them, and no, as was pointed out to me by an older guy at the time, your muscle of love is not your heart.” (Philip Random)

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