254. no time [version one]

Yeah, you’ve probably heard No Time a million times already on oldies radio, The Guess Who (Canada’s own Beatles) rocking it hard, melody as big as a Manitoba sky, getting it all just right. But you probably haven’t heard the longer, rawer, more psychedelized original version that showed up on 1969’s Canned Wheat. Like the band just didn’t realize what they had, how truly world class they were, being just a bunch of wannabes from the middle of nowhere. And thus, they were at their peak.

guesswho-1969-promo

 

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The 12 MixTapes of Christmas [2018 version]

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These 12 Mixtapes of Christmas have got nothing to do with Randophonic’s other 12 Mixtapes of Christmas from two years ago, or even with Christmas (beyond being a gift to you). And they’re not actually mix tapes, or CDs for that matter – just mixes, each 49-minutes long, one posted to Randophonic’s Mixcloud for each day of Twelvetide (aka the Twelve Days of Christmas).

There’s no particular genre, no particular theme or agenda being pursued, beyond all selections coming from Randophonic’s ever expanding collection of used vinyl, which continues to simultaneously draw us back and propel us forward (sonically speaking) — music and noise and whatever else the world famous Randophonic Jukebox deems (or perhaps dreams) necessary toward our long term goal of solving all the world’s problems.

Bottom line: it’s five hundred eighty-eight minutes of music covering all manner of ground, from Roy Orbison to Curtis Mayfield to Can, Bob Dylan, Manfred Mann’s Earth Band, Kraftwerk, Nitty Gritty Dirt Band and beyond (and that’s just from the first mix) — anything and everything, as long as it’s good.

372. guns guns guns

Any way you look at it, the Guess Who (straight outa Winnipeg) were the closest thing Canada ever had to a Beatles. Hell, they even outsold them in 1970. But this is two long years later. They’ve lost Randy Bachman, ace guitarist, co-founder and key songwriter, but they’re still rockin’ profoundly up and down the north side, working that giddy sense of freedom that only a superlative live band can attain. And they’ve still got Burton Cummings just sober enough on Guns Guns Guns to lay down some of the finest vocals that this planet will ever hear. Godspeed mother nature, Godspeed.

(image source)

010. The Final Countdown*

Installment #10 of The Final Countdown aired Saturday-June-2-2018 (c/o CiTR.FM.101.9).

Tracks available on this Youtube playlist (somewhat inaccurate).

The Final Countdown* is Randophonic’s longest, most random and (if we’re doing it right) relevant countdown yet – the end of result of a long process that finally evolved into something halfway tangible in early 2018. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.

TFC-010

Installment #10 of The Final Countdown* went like this.

1110. Faze Action – moving cities
1109. Dalis Car – Dalis Car
1108. Tom Jones – help yourself
1107. Steve Miller Band – lucky man + gangster of love
1106. Can – come sta, la Luna [edit]
1105. Sufjan Stephens vs Aesop Rock – None Shall Pass
1104. Curtis Mayfield – keep on trippin’
1103. David Crosby – Orleans
1102. Citywide Vacuum – carbon valence
1101. Medeski Martin & Wood – Strance of the Spirit Red Gator
1100. Sacred System – driftwork
1099. Synergy – terra incognita
1098. Residents – the ultimate disaster [edit]
1097. Jah Wobble + Holger Czukay + Jaki Leibezeit – trench warfare
1096. Guess Who – smoke big factory
1095. Flasket Brinner – Gånglåten
1094. Super Furry Animals – Juxtaposed with U
1093. Band [+Van Morrison] – 4% pantomime

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

008. The Final Countdown*

Installment #8 of The Final Countdown aired Saturday-May-5-2018 (c/o CiTR.FM.101.9).

Tracks available on this Youtube playlist (somewhat inaccurate).

The Final Countdown* is Randophonic’s longest, most random and (if we’re doing it right) relevant countdown yet – the end of result of a long and convoluted process that finally evolved into something halfway tangible in early 2018. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.

TFC-008

Installment #8 of The Final Countdown* went like this.

1150. DJ Me DJ You – because [DJ Swamp remix]
1149. Funkadelic – Vital Juices
1148. Rolling Stones – dance[s]
1147. Invaders of the Heart – voodoo-psyche
1146. America – a horse with no name
1145. Residents – hanky panky
1144. Eno-Moebius-Rodelius – tzima n’arki
1143. King Crimson – groon
1142. Marc Barreca – oleo strut
1141. Renaissance – trip to the fair
1140. Klaatu – prelude
1139. Tomita – snowflakes are dancing
1138. Tipsy – bunny kick (your mothers mix)
1137. Brian Eno – I’ll come running
1136. Guess Who – key
1135. Grateful Dead – Alligator etc
1134. Telesp – Scarab
1133. Ozark Mountain Daredevils – E E Lawson

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

638. musicione

By 1973, The Guess Who were mostly on the wane, certainly as a commercial force. Randy Bachman was long gone, and what had been a outfit that couldn’t seem to help cranking out the hits now seemed more interested in just being an improper rock ‘n’ roll band, drinking and drugging and whoring around. Which doesn’t mean the music was dead – you just weren’t hearing it that much on the radio anymore. Musicione for instance. A smart rocker with a loose jammed-out feel that ends up feeling like a hymn toward something or other. Who makes the music when you die?  Somebody else, obviously.

723. three more days

“Speaking of the Brave Generation (ie: those of us who were still little kids as the 1960s flipped over into the 1970s), pretty much everybody had a half-cool older brother or sister or cousin that had a copy of the Guess Who‘s Share The Land lying around – the one with the wise Indian on the cover. Which was rather the hippie teenage dream at the time. Smoke a little maryjane and get some mystical magical guidance from somebody/anybody who wasn’t your dad or your grand dad or your hockey coach, or anyone even remotely connected with your suburban whitebread, soulless culture. Or as the lyrics go in Three More Days (Burton Cummings channeling his inner Jim Morrison) ‘Freedom – paint me a picture – show it to me right now’. And then the band got busy stretching things out and tearing them up. Epic indeed.” (Philip Random)

GuessWho-1970

1076. truckin’ off across the sky

We’ll give this one to Lester Bangs, because without his review, Philip Random would never have been on the lookout for a copy of Live at the Paramount, which he found at yard sale, 1980s sometime. Cost him at least a dollar. “The Guess Who have absolutely no taste at all, they don’t even mind embarrassing everybody in the audience, they’re real punks without ever working too hard at it […]  In case you wondered about the drug commercial, it’s in a song called Truckin Off Across The Sky, the main character of which is the Grim Reaper. There he is … grinning, outstretched arms holding bags of you-know-what. Positively the best drug song of 1972. And this may well be the best live album. F*** all them old dudes wearing their hip tastes on their sleeves: get this and play it loud and be first on your block to become a public nuisance.”

1. The Solid Time of Change

Last week saw the debut of Randophonic’s latest series, The Solid Time of Change (aka the 661 Greatest Records of the so-called Prog Rock era) – an overlong yet incomplete history of whatever the hell happened between 1965 and 1979, not in all music, not even in most of it, but definitely in a bunch of it, particularly via bands hailing from the United Kingdom.

Youtube playlist (possibly not the exact versions that were played). Download podcast.

What is Prog Rock, and does it somehow differ from Progressive Rock, or for that matter, rock that merely progresses? These may seem simple questions but they are in fact doors that open unto some of the most complex enigmas of this split-atomic age.

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The good news is, for the next year (or thereabouts) there shall be a radio show broadcasting pretty much every Saturday night, starting at 11pm (Pacific Time) c/o CiTR.FM.101.9 wherein these enigmas shall be explored – also queens and kings, queendoms and kingdoms, and dreams, wizards and witches, oceans, concertos, overtures, finales, voyages, apocalypses, angels, sandcastles, swords, redeemers, rebels, relayers, even a little funk; not to mention islands, saviours, prophecies, revelations, giants, shipwrecks, astronauts, rituals, robots, roundabouts, gods and goblins, sacred texts and liars, journeys and parades, runaways and sorcerers, at least one girl child named Linda, the total mass retain and the seven seas of Rhye.

The first part of our journey went something like this:

  1. Apollo 100 – joy
  2. Emerson Lake + Palmer – Karn Evil 9 [1st impression part 2]
  3. Yes – beyond + before
  4. Genesis – where the sour turns to sweet
  5. Genesis – in the beginning
  6. Spirit – space child
  7. Spirit – aren’t you glad
  8. Uriah Heep – the wizard
  9. Queen – someday one day
  10. Queen – great king rat
  11. Electric Light Orchestra – Battle of Marston Moore [fragment]
  12. The Move – message from the country
  13. Electric Light Orchestra – 10538 Overture
  14. Giorgio – automation
  15. Guess Who – key [edit]
  16. Pink Floyd -Matilda Mother
  17. Kansas – Incomudro [lamplight to the Atman]
  18. Creedence Clearwater Revival – Ramble Tamble

Installment #2 airs 11pm, Saturday, May 14 on CiTR, with relevant links to be eventually posted here and our Facebook.