“If I haven’t seen Repo Man twenty times, I’ve definitely seen it fifteen. But I still couldn’t tell you how it ends exactly. Something to do with Otto getting into the car with the wigged out mechanic guy Miller … and going for a ride in the sky. But then what happens? Anything? Does the movie just end? Clearly, it doesn’t matter. Repo Man is a movie of scenes and moments, with more superlative pieces than any random ten Oscar winners put together. And one of them is definitely that scene with the flying car, mainly because of the music. A track called Reel Ten by the band known as the Plugz, who I otherwise know nothing about, except somebody told me they played on Letterman once with Bob Dylan.” (Philip Random)
If you were there at the time (1984) and paying attention, Repo Man (the movie) was pretty much perfect, nailing all the right targets, scoring all the right points, and it all started with Iggy Pop cutting loose over the opening credits. Welcome to the so-called Winter of Hate, with Repo Man (and its punk-hardcore-whatever-you-want-to-call-it soundtrack) giving this long weird season (it lasted years) a fierce and virulent focus. Not that there wasn’t any love in the mid-80s. Of course there was. But you couldn’t really make sense of the times and your place in them (in North America anyway) until you owned your hate. Until you knew what to hate. Otherwise, you were just going to get eaten by hungry robots like everybody else. Or nuked. Whichever came first.