Not to be confused with the 1984 album of the same name, this Julian Cope world stomper spoke a truth that was rather impossible to ignore in 1986. Anger, bile, spite were all officially virtues now if you wanted to survive. It was the Winter of Hate after all. Everybody who was even half alert was shouting down the world, demanding it shut the f*** up. Not that the world was listening. But that just meant we could shout louder, louder, louder. No limit. Which made for some great music if nothing else.
“I saw Blurt warm up New Order way back when, just a two piece as I recall. Saxophone and drums, and driven by a nasty sort of good humour. They were way more fun than the headliners, and better. Which is worth considering when you hear Gravespit (a track that only ever showed up on an obscure compilation album as far as I know) — poisonous as it seems, there’s a smile underneath it all.” (Philip Random)
“Believe it or not, it was actually half-way normal in certain circles to hate the Beatles at a certain point in the later 1980s, mainly due to twenty plus years of over-adulation, overexposure, over-everything. I remember one guy in particular, Ray, who had it narrowed down to only one song, the only Beatles track he could abide anymore, and he didn’t even know the title, just ‘from the White album, I think, the one about Sir Walter Raleigh being a stupid git for bringing tobacco to England.’ Ray was trying to quit smoking at the time, suffering insomnia as a result, so he was miles past pleasantries. The Winter of Hate, we called it – those bile filled seasons of righteous aggravation and antipathy. The polar opposite of the Summer of Love. Ronald Reagan was also to blame.” (Philip Random)
Proof that underneath all the noise and provocation of their early gigs and releases, The Jesus And Mary Chain were first and foremost a damned good rock and roll band doing their bit to keep the western world from imploding. Or more to the point, encouraging the right kind of implosion. Stark and raw, bleak but beautiful, like those first hints of spring sunlight after a long, bitter winter, and even then you know there are some fierce winds yet to blow. Because the Winter of Hate was a long one, no question there. Ended up lasting more than a decade.
A Led Zeppelin rocker from 1975’s Physical Graffiti, but for Philip Random, it was more of a 1988 record. “A pivotal year for me. At the time, it was just something to be endured, one of those phases where the winter winds never stopped howling, even in the middle of summer (figuratively speaking of course). The Winter of Hate we ended up calling it. Aliens with a hunger for human flesh had taken over all the world’s governments and the only thing worth laughing about was that nothing was funny anymore. Musically, this manifested in a lot of pure raw noise as even punk/hardcore wasn’t really fierce enough anymore. Or maybe I was jonesing for some honest, raw, nasty blues – the kind of stuff Led Zeppelin had in ample supply on their biggest, longest, last truly great album. Man did it sound right!”
“Sonic Youth’s Daydream Nation being arguably The Greatest Album Ever assuming you don’t mind a pile of noise mixed up with your raw yet mystical guitar stylings, Kissability being the kind of nugget that would’ve torn the charts apart in a better, cooler world. But good luck with that in the Winter of Hate, which is to say, 1988. Twenty years on from the Summer of Love, and trust that it rained every f***ing day. Nothing else to do but daydream.” (Philip Random)