“I mostly hated so-called jazz-rock fusion at the time – so many of my fave Prog heroes getting caught up with showing off or whatever, forgetting to actually make interesting, astonishing music. But National Health (straight outa Canterbury) seemed to mostly get it right, keeping it sharp, innovative, fun. And in the case of Squarer For Maud, it even gets epic, particularly once the cello cuts loose toward the end. And then there’s that rap about numinosity (a word I’d never heard before). Of or relating to a numen; supernatural. Filled with or characterized by a sense of a supernatural presence. Now that’s my kind of music.” (Philip Random)