179. give up the funk [tear the roof off]

“And because it really is that great an album, another selection from Parliament’s 1975 gem, Mothership Connection, George Clinton and his crowd tearing the roof off reality itself … live anyway. Which is how I first really encountered Give Up The Funk. First via that aforementioned TV broadcast, then thirteen years later, in the flesh. The outfit was called the P-Funk All Stars now, which simplified things somewhat, but not the music. The music remained a complex and fabulous beast, multi-headed but working only one heartbeat, everything in service of the groove. They played for the better part of four hours and I don’t think anyone anywhere ever stopped moving. Phenomenal.” (Philip Random)

Parliament-1976-live

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215. funky music sho nuff turns me on

Edwin Starr is mostly known nowadays for the song known simply as War. He didn’t write it but he did own it. Absolutely. And the same can be said of Funky Music Sho Nuff Turns Me On. It didn’t rise as high in the charts as War, didn’t cross over so emphatically. But I still managed to hear it back when it was new, one of many soul-funk rave-ups you encountered on commercial radio back in the early 1970s before the corporate types got organized and ruined everything. But the real discovery came twenty odd years later, a flea market find, and proof in advertising all the way, the funk being fiercely evident from the first squall of guitar. What a turn on!” (Philip Random)

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262. keep on truckin’

“Growing up in suburban wherever back in the latter part of the early 1970s, you didn’t get much so-called black music on the radio, or the record stores for that matter. But every now and then, something epic like Keep On Truckin’ managed to blaze on through. I had no idea who Eddie Kendricks was (though I had heard of the Temptations), but man if my feet just couldn’t not move whenever it came on, particularly the long album version which, to my then fourteen year old ears, just seemed to go forever in the best possible way, expanding my soul and my consciousness as to what music could and should be. And honestly, it still does.” (Philip Random)

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323. trampled under foot

“Funky Zeppelin. Sort of. Trampled Underfoot‘s not exactly easy to dance to, yet it is relentless. Found on Physical Graffiti, the last truly great Led Zeppelin album, which strangely enough went a long way toward saving my life in the late 1980s, a decade after all the great punk and post punk and new wave eruptions that had to happen, had to shove the likes of Led Zeppelin off their various thrones and pedestals, because all things must pass as the former Beatle said (and various mystics before him). But that was then. This was later. Led Zeppelin were always going to return, culturally speaking. Oblivion just couldn’t contain them.” (Philip Random)

LedZeppelin-1975-live

331. funky stuff + more

Kool + the Gang are one of those bands that sadly had to change because of the Disco eruptions of the mid-1970s, which sucks. Because they had a great thing going (as Funky Stuff clearly indicates) before all dance music suddenly had to be 4-4, boomp-boomp-boomp with cheesy strings on top. Even James Brown was afraid of them, or so I’ve heard.” (Philip Random)

kool+theGang-1973

406. What is Hip?

“I actually turned down a free ticket to see Tower of Power at a small club. It would’ve been about 1978. They probably would’ve played this song. And yeah, it would’ve blown me the f*** away. The towering power of it, and the tightness. What a band! But I was an idiot. I said no. Because I didn’t get funk in those days, or jazz, and how the two could brilliantly fuse. I had it all confused with disco. And I had all kinds of issues with disco. What can I say? I was young and foolish, not remotely hip.” (Philip Random)

TowerOfPower-1973

519. who says a funk band can’t play rock?!

“The title says it all, and the lyrics back it up with a solid vice versa, speaking as they do to the stupid notion that genres are in fact competing nations which, at best, should just avoid each other. F*** that sh**! Though it is worth noting, not every band is, was or shall ever be on the level of Funkadelic circa 1978. My point being, nobody says you can’t do whatever you want musically speaking (at least nobody from my end of things) but that doesn’t mean you get to just slap your bass guitar, dress like a pimp and call yourself funky. Not if you’re older than twelve. You’ve got to earn that.” (Philip Random)

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588. memory serves

“Title track from Material‘s first proper album, which was before main man Bill Laswell had played with EVERYONE on planet earth, become a household name (assuming you lived in a cool household). As a friend put it once, it’s jazz without the annoying indulgence, funk without the sleazy silliness. Not that I really felt that way about funk. But I could agree about the jazz. Always nice to hear the egos reigned in, everyone serving the groove … in a chaotic sort of way. And who better to work all that than a bass player.” (Philip Random)

BillLawell-fingers

630. that’s how I feel

They were the Jazz Crusaders until 1971 at which point they became merely the Crusaders, and less of a straight up jazz outfit, more of a funk driven item. But one thing that didn’t change (and never would) was the rich and prodigious power of the music. That’s How I Feel showed up on their second album as the Crusaders, the perhaps confusingly titled double shot called 1. Nothing confusing at all about how it made things move.

Crusaders-1973