In which that band from Ireland (still not quite a household name), make it very clear what they believe in: the atomic bomb, the powers that be and the halls of Christ’s Church. All worth celebrating apparently.

In which that band from Ireland (still not quite a household name), make it very clear what they believe in: the atomic bomb, the powers that be and the halls of Christ’s Church. All worth celebrating apparently.

“A Thin Lizzy rocker that neither boogies nor woogies. It’s just heavy and strong and full of threat, though of what I’m not quite sure, maybe something lurking in the deep Irish night. Found on 1976’s Johnny The Fox, which is one of those albums that nails its place in time. Not punk, not metal, just rock, good and hard.” (Philip Random)

https://www.youtube.com/watch?v=7EC6MrPVwr0
“The Pogues were exactly what the mid 1980s needed. The original London punks had finally blown all their fuses, with the Clash’s inglorious meltdown being the most recent notable calamity. Enter a bunch of guys (and sometimes a girl) with way too much Irish blood in their veins, grabbing their parents old instruments off the wall (and a few of their tunes), and thrashing away like it truly f***ing meant something, which in the case of The Band Played Waltzing Matilda, it did. Because as the wise woman said, the universal soldier, he really is to blame.” (Philip Random)

“There was a point in the mid-70s when it was easy to think that the Horslips might just be the next big amazing thing. They had a cool Irish folk thing going, and a rock thing, and they could think big, epic even. Which is what Book of Invasions was all about, a goddamned Celtic Symphony, of which Ride To Hell is climax. Unfortunately, it was released in 1977, the year punk truly erupted and laid so much of the old world to waste. Oh well.” (Philip Random)
