An early single provides strong evidence that Bauhaus were far more than just a goth outfit (the term didn’t even exist until after they’d split up). What they were was smart, innovative, never remotely boring, with Terror Couple Kill Colonel working all manner of studio exploration to get seductively under the skin, into the blood.
Apparently this is the first time Marc Bolan really rocked out on record. The band was still called Tyrannosaurus Rex at the time, and despite the name, a comparatively lightweight outfit – too much flowers and fine herbs, not enough thunder and rumbling. But that had to change. The 1970s were looming, the acid was wearing off, the hippie dream was much further away than it had previously seemed. Maybe it had never been there at all. Just another storybook fantasy.
The story on the Zombies is that they’d broken up before their best stuff was ever even released. A classic case of being too far ahead of the curve as a track like Indication indicates, a pumped up ride with some killer keyboards at the heart of it all, and all months before the Beatles had gotten around to releasing Revolver. The upside being that we’ve never really grown tired of it.
“Dave Davies being an original Kink, Death of a Clown being a darned fine single that featured big in the British version of the Summer Of Love. But I wouldn’t really notice it until at least the mid 1990s, working through my personal grunge aftermath where I’d listen to pretty much anything that wasn’t heavy, angry and in need of a clean shirt. Clown first showed up on a mixtape care of former roommate Dale, who stuck it right next to some John Coltrane, as I recall. The mid-90s were like that.” (Philip Random)
In which that band from Ireland (still not quite a household name), make it very clear what they believe in: the atomic bomb, the powers that be and the halls of Christ’s Church. All worth celebrating apparently.
“Bauhaus were one of those rare bands who were so confident in the songwriting and performing categories that they could casually release something as raw and nasty and good as Lagartija Nick and not even bother to include it on an album. Which isn’t to say it didn’t make it onto my obligatory Bauhaus mixtape, essential soundtrack to many an mid-early 80s trip to the fun part of the dark side (or was it the dark part of the fun side).” (Philip Random)
Joe Higgs (the man who taught Bob Marley how to sing) delivers yet another sort of lost hit from way back when, that murky part of the 1970s when reggae still hadn’t really been discovered by the rest of the world and yet, no coincidence, was probably at its best.
George Dekker (straight outa Jamaica) delivers a timeless anthem of rather uplifting despair, if such is possible. Because things are always getting worse, just turn on the news, no reason to stop moving. “I remember a work friend whose younger brother was dying of Hodgkin’s. She loved this song. It became kind of a joke. I’d ask her how things were. She’d raise a triumphant fist and declare, Things Are Getting Worse.” (Philip Random)