486. technology works [dub]

In which Keith Leblanc, straight outa Connecticut, and by way of outfits like Sugarhill Records, Tackhead, Little Axe (and a bunch more) reminds us of exactly what 1986 felt like – the best part anyway. Big beats (bigger than man had ever heard before), cool noise, strange new technologies alchemizing, boiling over, eager to smash the planet, change everything forever. And they would. Planet smashing was definitely what it was all about in the 80s. The planet needed smashing, musically speaking, that is.

KeithLeblanc-promo

 

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849. mind at the end of the tether

It’s 1987 and Tackhead are already delivering it, even as Public Enemy are speaking of bringing it. The Noise, that is. Big beats, no bullshit, as many samples as you can jam into two inches of audio tape. And in the case of Tackhead, genuinely hot playing, because they were most definitely a band. “I seem to remember the original 12-inch single version of Mind at the End of the Tether being the better one – stronger, less cluttered. But the version on the Tape Time album speaks its the truth regardless. Superlative and loud and surrounded by tracks of equal cacophony. If you truly wish to know what the latter part of the mid-80s sounded like, start here.” (Philip Random)

tackhead-tapetime