Alternately known as St. Che or merely Che, this outfit was basically just Tackhead anyway, which is confusing, because Tackhead was also Fats Comet and/or Mark Stewart’s Maffia and/or Little Axe (though that came later) and/or Keith Leblanc working solo. He was the drummer, the other key three players being bassist Doug Wimbish, guitarist Skip MacDonald and producer, mixmaster extraordinaire Adrian Sherwood. The first three originally connected as the house band for Sugarhill Records but it took colliding with Mr. Sherwood to truly unleash the kind of outfit that defines zeitgeists. Big fat beats, funky grooves, charged samples all toward the kind of soundtrack that a proper apocalypse needs, and the 1980s were nothing if not a rolling apocalypse (if you had the right kind of eyes). As for Che, little is known beyond this single and then, a few years after the fact, an album that hardly anyone heard. Which is pretty much par for the whole Tackhead story. Essential but you’ve got to go looking for it.