866. dead finks don’t talk

Here Come the Warms Jets, Brian Eno’s 1974 solo debut, didn’t find me until early 1981, but the timing was nevertheless perfect as I was gobbling lots of LSD at the time, imposing apocalypse on everything I’d ever accepted or believed, opening great holes in my brain and soul that only purposefully deranged dada-pop such as Dead Finks Don’t Talk could adequately fill.” (Philip Random)

brianeno-1974LSD

870. kinder des alls galactic

“The story of the Cosmic Jokers goes something like this. Germany 1973, a guy named Dieter Dierks is throwing cool parties in his studio, all musicians welcome. Just show up, gobble some acid, lay down some tracks. And he gets some top players throwing in. Members of Ash Ra Tempel and Wallenstein among others. Later on, Dierks would do more drugs and muck around with the tapes, maybe get his girlfriend to speak over things, then release it without telling anybody, or cutting them in on any royalties. Which got lawyers involved, and Cosmic Jokers relegated to the extremely rare Krautrock category. But Galactic Supermarket seems to have found me anyway.” (Philip Random)

1005. memory of a free festival

“A story song about the day young David Jones (aka Bowie) played at a hippie free festival and got his mind blown by all the beautiful people, and probably some weapons grade 1960s LSD, because the sun machine came down toward the end, like a vision of heaven itself.  And it was good, very good, the entirety of the vast rapture that was 1969 captured in song, because man had just walked on the f***ing moon, man, so now any f***ing thing was possible. At least that’s how it felt at the time. I think. I was only ten, and many thousands of miles away, stuck in suburbia.” (Philip Random)

Bowie-1969

 

1078. mouldy old dough

“I’m not clear on who Lieutenant Pigeon was or whether he (or they?) ever even released another record. Because Mouldy Old Dough was more than enough for posterity, proving a monster hit in Britain, and yes, it’s all the evidence one requires to posit that there really was once a time (call it 1972) when lead flute and a growling vocal were all anyone needed to achieve pop glory. If the song’s actually about anything, it may be that tendency in medieval times for folks to go mad after eating bread baked from moldy dough, research into which would eventually give us LSD. This is true.” (Philip Random)