235. soul love

Soul Love is the second of two in a row from 1972’s Ziggy Stardust + The Spiders From Mars, making the list if only because Five Years doesn’t sound quite right without it following immediately afterward. And it’s proof in advertising, a groovy nugget of soul and love, and a solid hint of where the alien Bowie might be headed once he shed his Ziggy skin.

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236. five years

“At first I wasn’t even going to include anything from Ziggy Stardust on this list. It just seemed inconceivable that there was anybody who hadn’t already heard it all perhaps way too many times. But then Five Years popped up on an old mix tape and young Tracy (who isn’t even that young) said, is this John Lennon? Five Years being the 1972 song in which David Bowie accurately predicted the end of the world in 1977. Which I realize is a confusing fact to lay down, particularly to those born since 1977. Just trust me, it’s true. This is not the same world as before. Something very odd happened in 1977 and we’ve all been spinning in weird gravity ever since.” (Philip Random)

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256. wild is the wind

“Pay your dues long before you pay the rent, finally catch a few breaks, rise to mega-supernova status, then crash and burn into an oblivion of ego, drugs, madness. Hardly an original scenario. But it takes a special talent indeed to pull off the crash and burn part without messing up creatively. Which is what David Bowie managed in 1976 with Station to Station, his Thin White Duke album, the one he’d later claim he had no memory of making. So yeah, here’s to madness and oblivion, particularly if it includes a cover as epic as Wild is the Wind, which I was certain was a Nina Simone original, but then my lawyer pointed out, it’s from a 1950s Anthony Quinn movie. Either way, it gets to feeling like life itself once that wind really starts a-blowing.” (Philip Random)

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The 12 MixTapes of Christmas [2018 version]

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These 12 Mixtapes of Christmas have got nothing to do with Randophonic’s other 12 Mixtapes of Christmas from two years ago, or even with Christmas (beyond being a gift to you). And they’re not actually mix tapes, or CDs for that matter – just mixes, each 49-minutes long, one posted to Randophonic’s Mixcloud for each day of Twelvetide (aka the Twelve Days of Christmas).

There’s no particular genre, no particular theme or agenda being pursued, beyond all selections coming from Randophonic’s ever expanding collection of used vinyl, which continues to simultaneously draw us back and propel us forward (sonically speaking) — music and noise and whatever else the world famous Randophonic Jukebox deems (or perhaps dreams) necessary toward our long term goal of solving all the world’s problems.

Bottom line: it’s five hundred eighty-eight minutes of music covering all manner of ground, from Roy Orbison to Curtis Mayfield to Can, Bob Dylan, Manfred Mann’s Earth Band, Kraftwerk, Nitty Gritty Dirt Band and beyond (and that’s just from the first mix) — anything and everything, as long as it’s good.

297. Queen Bitch

“A song with the word bitch in the title in 1971!? It wasn’t done (unless you were the Rolling Stones). And to be honest, I didn’t actually hear Queen Bitch until 1973. Just one more element of that tidal wave of brilliance and threat that kept coming our way with Mr. David Bowie‘s name attached in the latter part of the early 70s. Who was this stranger, this alien, this queen, this bitch? What the hell was going on? I was still fumbling around with puberty at the time. I believe it was exactly what I needed to hear.” (Philip Random)

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020. The Final Countdown*

Installment #20. of the Final Countdown aired in October 2018 (c/o CiTR.FM.101.9).

Selections available on this Youtube playlist (not exactly accurate).

The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a rather convoluted process that’s still evolving such is the existential nature of the project question: the 1297 Greatest Records of All Time right now right here. Whatever that means. What it means is dozens of radio programs if all goes to plan, and when has that ever happened?

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Installment #20 of The Final Countdown* went like this.

915. Del Mar vs South Park – it’s gone
914. Marilyn Manson – Golden Years
913. Neil Young – for the turnstiles
912. Deerhoof – There’s A Kind of Hush All over the World
911. Queen – the night comes down
910. Wall of Voodoo – the passenger
909. Free – I’m a mover
908. Jimmy Castor Bunch – LTD [life truth + death]
907. Joe Cocker – feelin’ alright
906. Joy Division – the eternal
905. Alan Parsons Project – dream within a dream
904. Alan Parsons Project – The Raven
903. Cars – moving in stereo
902. Laurie Anderson – let x=x/it tango
901. The Orb – A Huge Evergrowing Pulsating Brain that …
900. Bob Dylan – you ain’t goin’ nowhere
899. Patti Smith – changing of the guards
898. Rickie Lee Jones – rebel rebel
897. Herbie Mann – push push

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

018. The Final Countdown*

Installment #18. of the Final Countdown aired October-13-2018 (c/o CiTR.FM.101.9).

Selections available on this Youtube playlist (not exactly accurate).

The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a rather convoluted process that’s still evolving such is the existential nature of the project question: the 1297 Greatest Records of All Time right now right here. Whatever that means. What it means is dozens of radio programs if all goes to plan, and when has that ever happened?

TFC-018

Installment #18 of The Final Countdown* went like this.

953. Swirlies – house of pancake
952. Lykke Li vs Holy Ghost – I’m Good, I’m Ghost
951. Sly + the Family Stone – spaced cowboy
950. 10cc – art for art’s sake
949. Al Green – I Wanna Hold Your Hand
948. Blow Monkeys – sweet murder
947. Holger Czukay – der osten is rot
946. Bill Frisell – egg radio
945. Irving – I can’t fall in love
944. Slothomatic – starman
943. Dandy Warhols – Ohio
942. King Black Acid – always crashing in the same car
941. Jade Warrior – [funky] waves
940. Harold Budd + Zeitgeist – breathless
939. Receiver – O’Driscoll’s Curse
938. David Bowie – African Night Flight
937. Can – transcendental express
936. War – gypsy man
935. Brian Eno – Some Words

The numbering was off on-air, but it’s correct here.

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

361. heroes-helden

Yeah, yeah, yeah, you’ve heard Heroes a million times already. But have you heard the German/English edit that showed up on the soundtrack for Christianne F, the most depressing movie ever?  There’s just something about what that complex language does to Mr. Bowie’s delivery, the deeper, more wrenching depths of soul and enunciation, how it gets you right to the heart of what was then still a divided city – two opposed universes of politics and animosity grinding up against each other. Forever. Or so it felt at the time.

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407. big brother + chant of the ever circling skeletal family

“As the story goes, David Bowie’s first post-Ziggy Stardust album was supposed to be a musical adaptation of George Orwell’s 1984, but he couldn’t secure the rights, so it morphed into Diamond Dogs which was its own weird, extreme thing with a few explicitly 1984 songs included in the mix, including the climactic Big Brother that manages to get quite epic before things go deeply off kilter with the Chant of the Ever Circling Skeletal Family. Which is not just some b-grade horror stuff. It’s real. I’ve heard that infernal family, while deep inside the wrong kind of acid trip, the ‘I’m Dead’ kind, the kind you just want to end, but it goes on for millions of years, with all these wraith-like forms howling at you forever, because you’re dead, you died, this is what comes next. Which I suppose is relevant to 1984. What it feels like to get stomped in the face with a boot. Forever. Great music though.” (Philip Random)

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