“I can’t remember who said it, but it’s stuck. Jimi Hendrix (all gods bless him to the nine known edges of the universe) gets maybe too much credit for defining what one could do, psychedelically, with an electric guitar, in 1967. Because it’s not as if The Pink Floyd‘s Syd Barrett wasn’t also unleashing gobsmackingly apocalyptic electrical storms. Maybe he didn’t have the licks, the elemental voodoo blues bubbling from his soul straight through his fingers … but he did have the angles, the great sheets of discord and noise that it was going to take to get this souped up, superlative noise clear of the earth’s orbit, off into the vastness of beyond, even if it was ultimately within (which in Syd’s case, would sadly prove a bottomless void). The rest of the band weren’t half bad either.” (Philip Random)
Tag Archives: Piper at the Gates of Dawn
418. Pow R toc H
It’s 1967 and The Pink Floyd have followed their increasingly deranged leader Syd Barrett to the very Gates of Dawn where some genuinely weird shit is going down. But don’t ask him exactly what. He’s too deep into the psychedelics to communicate on a rational verbal level, and he just keeps going deeper and deeper. Yet this particular message speaks volumes anyway. It calls itself Pow R Toc H and, in spite of the genuinely tragic madness that informs it, it’s really quite fun in a harrowing way.
435. astronomy domine
“As with pretty much every band or artist that lasts for more than a couple or three albums, there is more than one Pink Floyd. And much as I can say wonderful things about at least four of them, it’s the first I get most rapturous about. The Syd Barrett Floyd, the madly off in every imaginable direction Floyd (with equal emphasis on ‘madly’ and ‘every’ and ‘imaginable’). Call it psychedelic, I guess, but only if you mean the real stuff, drenched in Owsley grade LSD25 and spraying it in all directions, dosing everyone it touches, so it’s not a particular sound so much as an open door, or perhaps a collapsed dam. Whatever it is, you can perhaps hear it best in Astronomy Domine, side one track one of the first Pink Floyd album, and the only one to feature an intact (though even that’s arguable) Syd Barrett on vocals and guitar and overall sonic commitment toward the heart of the sun.” (Philip Random)