172. crosseyed + painless

Remain In Light was the Talking Heads’ fourth album, and the one that finally forced me to admit they were probably the best band in America, possibly the world. Because here was the future, not coming, already here, and cool and strange in ways I just wasn’t prepared for. Rhythms and poly-rhythms and drones and eruptions taking songs in all kinds of unprecedented directions, like they’d somehow heard all the music in the world and figured a way to get it into a 40 minute album of so-called pop music, or in the case of Crosseyed and Painless (concerned with urban paranoia apparently) one less than five minute song. Brian Eno helped, of course.” (Philip Random)

TalkingHEads-1980-live

699. listening wind

Remain In Light is one of those albums that changed me forever. Because here were the Talking Heads, a so-called New Wave band, embracing every sound (musical and otherwise) that the world had to offer and making it work, brilliantly, rearranging how my ears heard music. Listening Wind comes from toward the end of Side-B and speaks of wide open spaces, infinity even, all manner of mystery and imagination and reasons to live. I’ve watched a lot of suns set to this one, and a few rise.” (Philip Random)

TalkingHeads-1980-2