323. trampled under foot

“Funky Zeppelin. Sort of. Trampled Underfoot‘s not exactly easy to dance to, yet it is relentless. Found on Physical Graffiti, the last truly great Led Zeppelin album, which strangely enough went a long way toward saving my life in the late 1980s, a decade after all the great punk and post punk and new wave eruptions that had to happen, had to shove the likes of Led Zeppelin off their various thrones and pedestals, because all things must pass as the former Beatle said (and various mystics before him). But that was then. This was later. Led Zeppelin were always going to return, culturally speaking. Oblivion just couldn’t contain them.” (Philip Random)

LedZeppelin-1975-live

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360. The 15th

“A tight modern pop song with the kind of sharp, icy edge that defines a sonic future for all mankind. Which is pretty much what Wire did in 1979 with 154 (one of the greatest albums of any time) and songs like the 15th. Hell, I didn’t even hear it until at least five years later, called up the DJ because I had to know what this cool new song was.” (Philip Random)

Wire-1979-promo

 

364. 30 seconds over Tokyo

Pere Ubu were one of those bands I started hearing about in 1977-78 as punk and whatever finally started reaching the suburbs (the underside of them anyway). And then I actually heard them and yup, they were intense, noisy, hard to ignore but also hard to love. Though 30 Seconds Over Tokyo would eventually turn me. Because it’s just so damned good. It was the title first, reminding me of the movie, a World War 2 thing, American heroes bombing Tokyo, a suicide run, just like the record says. Except the record’s way better, and recorded way before punk actually, in 1975. Cleveland, Ohio of all places.  No, let me rephrase that. Cleveland, Ohio obviously. Something had to all start in Cleveland, whatever it is that got started, that’s still going on, that mad suicide mission to drop bombs, take the war to all the normals, figuratively, of course.” (Philip Random)

PereUbu-1975-live-02

394. green shirt

 

“David Lee Roth may be a world class ass but he does have a way with a one-liner, such as, ‘The reason more rock critics like Elvis Costello than Van Halen is that more rock critics look like Elvis Costello than Van Halen.’ Which is my way of saying, I guess I’m just not a critic, because I’ve never been an overwhelming Elvis C fan (more of an appreciator really), and most of his tracks that I do really like, you’ve probably already heard them a bunch, and thus they exude allergy potential. But not Green Shirt from 1979’s Armed Forces. I never heard too much Green Shirt. Tight, sharp, and smart as pop.” (Philip Random)

ElvisCostello-1979

473. intruder

“Peter Gabriel’s first three solo albums were all called Peter Gabriel, so we fans (and I was definitely a fan) tended to refer to them as The Weird Eyes (the first), Nails On The Blackboard (the second), and Melting Face (the third). Melting Face was the one that mattered most, both then and now, the one where Gabriel finally figured out how to refine the best of his so-called prog-rock tendencies, fuse them with punk and new wave’s rawer, sharper edges, and thus kick things way into the future. And it all started with Intruder, a creepy hit of atonal menace that really was like nothing anybody had ever heard. Still is.” (Philip Random)

PeterGabriel-1980-live

475. editions of you

“Tight, hard, fast, and looking very good – nobody else sounded or looked or felt remotely like Roxy Music in 1973. That would have to wait five or so years. Then all kinds of people were sounding, looking, feeling like Roxy Music (in 1973).  Unfortunately, Roxy weren’t anymore. They were getting all smooth and white-boy soulful, turning into a creature I was fast finding it hard to love. But that was okay. I was really just discovering 1973 anyway, and it was all for my pleasure.” (Philip Random)

RoxyMusic-1973-promo

503. I Travel

“Back in the very early 1980s, before they became huge, absurd and even stupider than their name implied, Simple Minds were pretty darned cool. Smart modern beats and grooves that weren’t afraid to be dance-able. Lots of pumped up sonics, often machine driven, but hinting at an inner light. And they were strong live. I’m guessing I Travel was about being on the road, not that I ever bothered to study it. Just did what it was telling me, which was hit the dance floor, shake off the ghosts, be glad I was alive in interesting times.” (Philip Random)

SimpleMinds-1980-TV

504. gut feeling

Devo were impossible to ignore when I first started hearing them in about 1978. Because there had NEVER been anything remotely like them. Even a diehard prog-rocker like me got that. But being the genius I was in my late teens, I found them easy to dismiss as gimmicky fun, a one or three hit wonder at best. I mean, they weren’t actually important or anything. Then one day I was hitchhiking, caught a ride with a punk sort of guy who had the first album on, playing loud. Gut Feeling came on as we were crossing the Second Narrows Bridge, everything steely industrial grey, giving way to the great North Shore mountains, and let’s just say, I realized I was wrong, wrong, wrong … yet again.” (Philip Random)

devo-1978-TV

699. listening wind

Remain In Light is one of those albums that changed me forever. Because here were the Talking Heads, a so-called New Wave band, embracing every sound (musical and otherwise) that the world had to offer and making it work, brilliantly, rearranging how my ears heard music. Listening Wind comes from toward the end of Side-B and speaks of wide open spaces, infinity even, all manner of mystery and imagination and reasons to live. I’ve watched a lot of suns set to this one, and even a few rise.” (Philip Random)

TalkingHeads-1980-2