587. mushroom

Can‘s Tago Mago is the greatest album in the history of humankind. At least it was (for me) for a good chunk of 1986-87. Sounds that were so far ahead of their time even then (a decade and a half after its release) that normal folks are still trying to figure it all out. Hint: it’s applied magick, four Germans cranking out the avant-grooves and textures, Japanese singer cruising cosmically in and out of it all as only 1971 could allow. The Axis powers of WW2 reunited (sort of, Can never containing any Italians), but this time taking the right drugs, only concerned with conquering all of the world’s freak scenes. Which is as it should be.” (Philip Random)

CAn-1971

588. memory serves

“Title track from Material‘s first proper album, which was before main man Bill Laswell had played with EVERYONE on planet earth, become a household name (assuming you lived in a cool household). As a friend put it once, it’s jazz without the annoying indulgence, funk without the sleazy silliness. Not that I really felt that way about funk. But I could agree about the jazz. Always nice to hear the egos reigned in, everyone serving the groove … in a chaotic sort of way. And who better to work all that than a bass player.” (Philip Random)