904. feelin’ blue

Based on ample evidence, it’s easy to think of CCR as a singles band and dig no further, but then you’d miss out on a gem like Feelin’ Blue, a straight up bluesy jam that still feels fresh and relevant and coming from a nearby garage. “I first heard it around age twelve, so I didn’t much get it, or like it. But when you’ve only got maybe five albums in your collection, you tend to keep listening until you do get it. I didn’t like whiskey much then either, but I wasn’t going to get drunk just sitting there looking at it.” (Philip Random)

ccr-1969

930. lucky man … etc

“From the earliest, best, least over-played phase of the Steve Miller Band‘s million mile odyssey through the culture (it’s still going on, apparently), three songs that all sort of flow as one. You know it’s still the 1960s when it’s a white guy singing a sort of psychedelic blues and doing a relevant job of it. Somehow that didn’t much manage to survive into the 1970s.” (Philip Random)

stevemillerband-1969

943. house of the rising sun

“They released a few albums and a pile of singles, but for me Frijid Pink will always be just the one thing – that band whose full roar garage take on House of the Rising Sun was (short of Jimi Hendrix) the heaviest thing ever heard on AM pop radio back in that strange, extended season of stormy and endless summer that happened somewhere between 1969 and 1972 (the rear view is always confusing).” (Philip Random)

frijidpink

981. sugar n’ spikes

Captain Beefheart in general and Trout Mask Replica in particular remain my go-tos when I no longer really want to listen to music, but I still must. The 1960s were winding down. The revolution wasn’t coming any time soon. The war was still raging in Vietnam.  Somebody had to try something entirely different, else the whole culture would crumble. Enter the Captain and his producer, one Frank Zappa. Sugar n’ Spikes is as close as any of it got to what one might have called a single.” (Philip Random)

CaptainBeefheart+Zappa

995. some velvet morning

In which New York based sonic warriors Vanilla Fudge (discovered and managed by a reputed associate of the Lucchese crime family) take on Lee Hazelwood’s Some Velvet Morning with equal parts subtlety and a sledgehammer lack thereof. Not as good as the original and yet a journey worth taking regardless, because sometimes you just need to go further.

1005. memory of a free festival

https://www.youtube.com/watch?v=E-VQv65jiH8

“A story song about the day young David Jones (aka Bowie) played at a hippie free festival and got his mind blown by all the beautiful people, and probably some weapons grade 1960s LSD, because the sun machine came down toward the end, like a vision of heaven itself.  And it was good, very good, the entirety of the vast rapture that was 1969 captured in song, because man had just walked on the f***ing moon, man, so now any f***ing thing was possible. At least that’s how it felt at the time. I think. I was only ten, and many thousands of miles away, stuck in suburbia.” (Philip Random)

Bowie-1969