956. my mind ain’t so open

As the story goes, Magazine got formed because Howard Devoto thought the Buzzcocks were already sounding too “old hat”. Which makes My Mind Ain’t So Open a perfect intro to this new sound he had in mind. A little too smart for punk, a little too vicious for pop. The 1980s were still two years away but stakes were already clarifying. They’d be like the 1960s all over again, except this time it would be love and spite, not peace.

1037. Heavy Horses

Jethro Tull main man Ian Anderson was nothing if not level-headed come 1978.  While many of his fellow formerly cool rock star types were scrambling (often pathetically) in attempts to reinvent themselves as somehow edgy and relevant in the face of punk rock etc, he just told it like it was — that he was more concerned about his farm up in Scotland than the state of the zeitgeist, the big horses in particular. The album in question may have seemed a throwback at the time, but over time, its mix of folk and rock elements has come to feel more timeless than anything.

1039. the harder they come

“In which Keith Richard stumbles through a reggae classic that no white man has any business even touching and actually delivers something halfway worthy, maybe because of all the heroin related calamity he’d recently endured in Toronto. Found on the  b-side of Run Rudolph Run, a 1978 Christmas single that went nowhere, except it eventually found me.” (Philip Random)

1050. white shadow

Upon leaving the then cool sort of cutting edge underground band known as Genesis in early 1975, Peter Gabriel embarked on period of serious reinvention. His second solo album found none other than Robert Fripp in the producer’s chair and Mr. Gabriel very much ready for whatever weirdness the coming decade (the 1980s) might have to throw his way. Indeed, a song such as White Shadow suggests that he’d be doing a bunch of the throwing.

PeterGabriel-78

1105. Cortez the Killer

Mr. Neil Young and his horse friends at the very peak of their shambolic grandeur.  We credit and/or blame the Bolivian marching power that was all the rage at the time if you were a certain class of rock star or movie director (or the kind of person that hung with them) way back when in that cultural depression between the death of the Elvis and the Sex Pistols and whatever the hell happened next. Some have argued nothing — the world ended and it’s all been a feedback loop every since.