“The title track of Neil Young’s sixth studio album is completely concerned with heroin and the damage done, souls consumed, lives ended way too soon. It says 1975 on the cover (and it was actually recorded a couple of years earlier) but I didn’t find it until at least ten years after the fact, yet grimly perfect timing nevertheless, such is junkiedom — it never goes out of style. Which isn’t to say Tonight’s the Night is all one sustained dirge – the album that is. But that said, it never forgets what it’s about, always more shadow than light, always more nasty than nice.” (Philip Random)
It’s 1975 and if you’re Neil Young, you’re hanging out in sunny California, feeling a decade older than you were three years ago, but at least the drugs are good, and sometimes the smog ain’t so bad, particularly when Crazy Horse drops by. Just plug in and play so loud it actually cuts through the haze, and mystical birds of great danger are seen soaring high, fierce and beautiful.
Neil Young weighs in with an important public service announcement, which was recorded in 1973 on the heels of various deaths in and around the band (Crazy Horse), but not released until 1975 because everybody was just too bummed out. When it doubt, counsels Mr. Young, get stoned and go for a long drive that gets you reflecting on a recent past that seems much further away than it really is. That’s what the rear view’s for.