352. decades

“The first thing I heard about Joy Division was that they were a cool new band out of Britain who were doing a sort of new wave meets The Doors thing. Which sounded cool. The next thing was that their lead singer had killed himself. But good luck getting to hear any of the actual music. Local rock radio wasn’t playing any of it and whatever few dozen of their records that may have made it to town as imports were quickly scooped up by people far cooler than me. So it was all just mystery for a long time until I finally heard Decades on a mixtape in some guy’s care – as suitable an epitaph as anyone ever wrote for themselves. And strangely, it’s almost exactly what I expected. Dark and strange and heavy with mood just like Jimbo the Lizard King and his crowd, except the edges were harder, the lines cut sharper. Like nothing I’d ever heard before really, except perhaps my dreams. I guess I liked it. I’ve never really stopped listening to it.” (Philip Random)

JoyDivision-1980-live

Advertisements

719. we gotta get out of this place

“In which Jello Biafra hooks up with Vancouver’s own DOA to deliver a surprisingly faithful cover  of one of the essential Rock Anthems (speaking of Eric Burdon). Maybe the essential rock anthem. I think I heard Bruce Springsteen say that once. This situation’s killing me. Might be school, might be a job, might be prison, a bad relationship, your family, your own asshole. Doesn’t matter where you are, there’s only one way to go, and that’s OUT. With a vengeance.” (Philip Random)

JelloB+DOA-moneyTREE

750. ain’t no justice

It’s 1973 and the times may be grim but the Temptations (and producer Norman Whitfield) are in full, expansive, beautiful bloom (riding as they are on the mega-success of 1972’s Papa was a Rolling Stone). But the focus now is not the past, but seventeen years into the future, the dawning of the 1990s, not that not much has changed.  There still ain’t no justice.

Temptations-1990-1973

1027. flood of sunshine

“As I heard it put once, The Posies were the Seattle band of the early 90s that didn’t get mentioned much during all the grunge hype because they didn’t play to type, being more about big rich melodies and smart pop finesse than roaring chest rock. My friend Mike says they sound like the early 1970s Hollies taking on Led Zeppelin here. I’ll take his word for it. Epic and not unsweet.” (Philip Random)

Posies-1990