471. statues

“The memory is of seeing Orchestral Manoeuvres in the Dark perform Statues live, Commodore Ballroom, 1981. The song comes across nice and moody on record but in that big room, packed with every serious art-weirdo-scenester in town, it was powerful stuff, it shut everybody up, it put us all in a trance that was both transcendent and foreboding. It was official. The 1980s were going to be that kind of movie.” (Philip Random)

OMD-Organization

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476. Dad

“Vancouver’s fabled York Theatre, 1985. Husker Du are in town, the hot ticket of the season. The joint’s packed and wild, like some hack Hollywood screenwriter’s fever dream of a punk rock show gone horribly wrong (in a good way). I’m pretty sure this is the night that somebody actually dove off the balcony. Or maybe that’s just how the drugs remember it. I was definitely quite high, ripped on some of the best LSD of the decade. Anyway, the evening ends up being like high school sex. It peaks way early with warm up act NoMeansNo more or less destroying the headliners. Dad is the encore, the first time I’ve ever heard it. I remember it moving me to tears. The sheer horror of it, and empathy, I guess. I remember thinking, punk rock isn’t supposed to do this. I remember throwing myself off the balcony. Well, maybe not that part.” (Philip Random)

NoMeansNo-dad

504. gut feeling

Devo were impossible to ignore when I first started hearing them in about 1978. Because there had NEVER been anything remotely like them. Even a diehard prog-rocker like me got that. But being the genius I was in my late teens, I found them easy to dismiss as gimmicky fun, a one or three hit wonder at best. I mean, they weren’t actually important or anything. Then one day I was hitchhiking, caught a ride with a punk sort of guy who had the first album on, playing loud. Gut Feeling came on as we were crossing the Second Narrows Bridge, everything steely industrial grey, giving way to the great North Shore mountains, and let’s just say, I realized I was wrong, wrong, wrong … yet again.” (Philip Random)

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544. censored

Viv Akauldren were from Detroit, I think. I seem to remember hanging out with the guitar player one day, wandering the sidewalks of downtown Vancouver, mid-80s sometime. He was overwhelmed by how peaceful it all was – how safe. They were gigging in town that night. The booking agent was a friend. So I guess I was being hospitable. Anyway, it all speaks to how lost so much of that era is. So many great indie outfits coming and going, cranking out powerful stuff, leaving little or no trace. Of course, I did manage to hang onto a copy of one of Viv Akauldren’s albums – Old Bags + Party Rags – which was nicely paranoid, political, psychedelic, and entirely relevant, then and now.” (Philip Random)

VivAkauldren-oldBAGS

559. expressway to yr skull

Evol (the name of the album in question) is love spelled backward, which is pretty much what was going on in 1991, Vancouver’s Pacific Coliseum, as Sonic Youth warmed up Neil Young + Crazy Horse, choosing not to pander even slightly to all the aging hippies in the house, but rather to deliver unto them a profound and beautiful and sustained NOISE. The climax came with Expressway to Yr Skull, which actually starts out kind of nice, but then ‘We’re Gonna Kill – The California Girls – We’re gonna fire the exploding load in the milkmaid maidenhead.’  The hippies were very confused, angry even, but I just laughed. The times, they just kept a-changing.” (Philip Random)

SonicYouth-1991-liveCHAOS

567. groovallegiance

“There’s not enough Funkadelic on this list. I’m sorry. It’s not my fault. Seriously, try to find any used Funkadelic vinyl in metro Vancouver that isn’t either hacked to shit or priced way out of my range. It doesn’t exist.  But I did finally steal a copy of One Nation Under A Groove from somebody whose name I can’t divulge (for obvious reasons), but trust me, he’s an asshole. Jesus even said it was okay, and alcohol. And anyway, if I do end up going to hell, it won’t be for that.” (Philip Random)

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568. dead dog on the highway

“I had a friend back in the day with ambitions of being a big deal rock video director, which never really panned out. The closest he ever got to anything of substance was meeting somebody who knew somebody that maybe had some pull with Sons of Freedom. I remember him getting all excited, telling me his killer concept for Dead Dog On The Highway. To be shot out in the desert somewhere, the band playing at the side of the highway with every shot taken from passing vehicles, moving fast, so all you ever caught were quick glimpses. Meanwhile, Jesus was being crucified on a hill in the distance (dog being god spelled backwards). Needless to say, the band didn’t go for it. But it would’ve been a good one.” (Philip Random)

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615. Synchro System

“My immediate King Sunny Ade memory is summertime 1983, way the hell up the trails of the North Shore mountains. The acid is kicking in nicely and Motron decides to put Synchro System on the blaster. The now sound of Nigeria suddenly imposed upon the melting, lysergic edge of western civilization. And it worked, like displaced tourist music, which is generally what you want whilst tripping the beyond within. The live show was also transcendent a few weeks later, Commodore Ballroom, the King and twenty-odd of his African Beats working grooves within grooves within … well, you get the picture.” (Philip Random)

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629. windshield wiper

The Enigmas are the great Vancouver band of the early-mid 1980s that most folks seem to have never heard of. They had the whole 60s garage-psyche thing more than just down – they actually transported you there, not so much back in time as into a whole other dimension that was tighter than punk and/or hardcore, and sexier, but every bit as hard and fast. If a proper recording existed of their umpteen minute live version of the Count Five’s Psychotic Reaction, it would be way up near the top of this list. As for the Windshield Wiper, it’s a dance. The record even came with a diagram.

Enigmas-strangelyWild