“By 1988, the artist still known as Prince pretty much owned the world, pop, cool and otherwise. He wasn’t just cranking out the tightest, funkiest, coolest, most fun and genre exploding stuff on the planet, he was doing so at an insanely prolific rate. In two years alone, 1986 into 1988, you had Parade, Sign of the Times (double album) and Lovesexy, (not to mention the then unreleased Black Album, which found us anyway as a bootleg). So it’s no wonder that a mad piece of avant-pop genius like Lovesexy’s Dance On (go ahead, try dancing to it) might get missed. And maybe that’s a good thing. Maybe you needed a decade or so to process it. I think I did.” (Philip Random)
“Track one, side one from the first Pixies album, Come on Pilgrim. I even heard it at the time but I was more into noise in those days. I needed things falling apart, a soundtrack for the corrosion inherent in my late 80s worldview. Then maybe eight years later, couch-surfing in Berlin, a half-condemned building east of where the Wall had been, I stumbled upon a beat up Eastern Block bootleg copy, left over from those grey and perilous days. I was finally ready.” (Philip Random)
A Bob Dylan discard from the already overloaded Blonde on Blonde sessions that eventually showed up on 1985’s Biograph box set (and any number of bootlegs). A straight up rocker with surrealism in its heart – what more could any culture want? How about a version to link to anywhere on the world wide web?