“True fact. Though The Band may have been Bob Dylan’s favourite band, they didn’t do much actual studio work together. Whatever they had, it was mostly a live thing, which is certainly how Please Crawl Out Your Window feels: just plug in and go for it. Released as a single in late 1965, it mostly missed the charts at the time, thus freeing it up to land freshly with me maybe twenty years later (again via the Biograph box set). Like a postcard from some past cool scene I only wish I could’ve known. The light itself must’ve been different in those days. And it probably was, given all the speed those guys were doing.” (Philip Random)
“Back in 1999, I recall somebody somewhere putting forth the argument that Bob Dylan’s Visions of Johanna was the single greatest record of the twentieth century. Something to do with the line about the ghost of ‘lectricity howling in the bones of her face, or maybe it was the part about infinity going up on trial. Either way, he was talking about the studio version that showed up on Blonde on Blonde, which is weird, because that’s not even the best version, which is the 1966 live take that did the rounds on bootlegs for years, then finally showed up on the Biograph box set. Something about it being pared down to just Bob, guitar, harmonica, voice – nothing else getting in the way of his accelerated brain and the amphetamine precision of the impossible images it was putting forth. Which is entirely the point, I think. Young genius stepping up to his confusion, surfing its twists and convolutions, letting it take him places he could never have imagined existed … and then finding a way to channel it all to into breath and voice and words. Call it a song. A damned fine one. Yet not beyond parody.” (Philip Random)
A Bob Dylan discard from the already overloaded Blonde on Blonde sessions that eventually showed up on 1985’s Biograph box set (and any number of bootlegs). A straight up rocker with surrealism in its heart – what more could any culture want? How about a version to link to anywhere on the world wide web?
“Contrary to popular belief, Bob Dylan went electric as early as 1962 with this honest eruption of confusionism that I didn’t get to hear until the early 90s sometime when I stumbled across a cheap copy of the Biograph box set, back when everyone was dumping all their vinyl, buying CDs. Thank you all for that.” (Philip Random)