136. return of the grievous angel

“Late 1980s sometime, date a bit vague because I was convalescing at the time, coming off a prolonged ailment that, in retrospect, had at least something to do with a disease in my soul. Which made it the perfect time to finally discover the music of Gram Parsons. Yeah, I’d heard of him, how he pretty much invented country rock, hooked up with Keith Richard, turned heroin blue way before his time. But now via random discovery of his only two solo albums at a yard sale, I was actually hearing his soul, because that’s what it was (still is), his take on so-called Country. Soul music, grievous and angelic. And precisely what I hadn’t been hearing pretty much my entire life, which was a white man digging deep into the roots of his own music, finding some beauty therein. If you don’t like Country, you don’t really like me.” (Philip Random)

303. you ain’t goin’ nowhere

As the story goes, the Byrds invented country rock in 1968 with the arrival of new guy Gram Parsons, the album known as Sweetheart of the Rodeo. It didn’t sell that well. There were no big deal hit singles. Mr. Parsons himself would be gone before the next album, chasing his own particular dreams and oblivions. But it seemed to stick anyway – the notion of putting country’s yearning and twang in service of the rock. It certainly worked for You Ain’t Goin’ Nowhere, a Bob Dylan nugget from perhaps the world’s most famous basement, wherein winter’s a-howling and Genghis Khan is running low on sheep for his kings, but the times are good regardless.

Byrds-1968-Parsons

393. sin city

https://www.youtube.com/watch?v=5rVzsEXk3kQ

Los Angeles, 1969, murder, mayhem, earthquakes, rumors of Armageddon, the whole city of angels falling into the Pacific, such that even on the 33rd Floor, beyond the gold plated door, the Lord’s almighty flame would find the wicked, and soon. Meanwhile, country rock was getting invented by a curious crowd of drugged out hippies in cowboy suits calling themselves the Flying Burrito Brothers. Good times.

FlyingBurritoBros-1969-live

445. Christine’s tune [devil in disguise]

“The experts say that Gilded Palace of Sin, the first Flying Burrito Brothers album, more or less invented so-called Country Rock. I say, it’s simply one of the best albums I’ve ever heard, pretty much flawless from beginning to end, with Christine’s Tune the twang-driven rocker that kicks it all off. And f*** you, heroin, for derailing what Gram Parsons was so gloriously up to.” (Philip Random)

FlyingBurritos-1969-gildedBACKcover

446. Watusi rodeo

Track one, side one of the first Guadalcanal Diary album is pumped up, countrified fun. Philip Random is pretty sure it’s about a movie he saw as a little kid. “Something to do with American cowboys going to the Congo (or wherever), killing natives, other fun stuff. By which I mean, horrific. Which unfortunately was pretty standard in my early days of TV watching (the 1960s). White men killing non-white men, served up as rousing adventure. Anyway, it’s a great song from a highly overlooked so-called jangle-pop outfit.” (Philip Random)

GuadalcanalDiary-1984-live

508. talk about Goose Creek and other important places

Apparently, the Goose Creek Symphony were rather a thing for a while, though what that thing was is still hard to figure. Not exactly country, not exactly rock (southern-fried or otherwise). Perhaps best to just drink a little wine, maybe mix it with other weird concoctions outa the holler, such that an easy little backwoods groove devours itself, goes all psychedelic, stumbles off unto imponderable dimensions, other important places.

GooseCreekSymphony-1970