Second of two in a row from the Jimi Hendrix Experience, this one coming from Electric Ladyland, their third and last proper outing, and even that’s somewhat confused. With 1983… (A Merman I Should Turn to Be) about as far and deep and abstract as any Hendrix recording would ever go – the unit here being Mr. Hendrix (doubling up on bass as well as guitar) and Mitch Mitchell (drums), with Traffic’s Chris Wood throwing in on flute (and the studio techs, of course — Eddie Kramer and Gary Kellgren, take a bow). All in aid of an epic investigation of oceans at least as deep as the human mind and soul, touching on themes of crisis, apocalypse, transcendence, the earth’s dry land abandoned, a return to the sea embraced, mermaids, Atlantis even. And superb it all is, the very best music being not unlike an ocean with depths beyond imagining. It’s possible that psychedelic drugs were involved.
There are two Voodoo Chiles on Jimi Hendrix‘s four-sided masterpiece Electric Ladyland, the second one (the Slight Return) being the one everybody’s heard perhaps too many times (even if it is full-on genius). But the first version which takes up the bulk of side one – that still sounds as fresh and immediate as the fifteen minutes or so in which it originally came to be. Stevie Winwood‘s the guy that dropped in to groove away on the Hammond organ in what amounted to pretty much a free jam. As for the rhythm section, that seems to have been the Experience’s Mitch Mitchell and Jefferson Airplane’s Jack Casady who just happened to be hanging around. It was that kind of scene, that kind of album.
“Jimi Hendrix’s superlative 1968 double shot Electric Ladyland features two versions of his anthem toward getting high and dreamy on a rainy day (the first more laid back one being Rainy Day Dream Away, the second more explosive one being Still Raining Still Dreaming). I long ago linked them via an edit that I can’t even find now, but trust that it all flows nicely, powerfully together, with Hendrix rhapsodics to make even the gods cry, which leads to more rain, of course, more dreaming.” (Philip Random)
The Solid Time of Change is our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.
Part Forty-Five of the journey went as follows:
- Genesis – the lamb lies down on Broadway
- Genesis – fly on a windshield
- Genesis – Broadway melody of 1974
- King Crimson – sailor’s tale
- Roxy Music – ladytron
- Jimi Hendrix – all along the watchtower
- Jimi Hendrix – 1983 … [a merman I should turn to be]
- Jimi Hendrix – moon, turn the tides … gently gently away
- Hawkwind – winds of change
- Hawkwind – the golden void
- Cream – white room
- Van Der Graaf – Pioneers over C
- Stevie Wonder – As
Randophonic radio is switching to rerun mode for a while. Expect stuff from the archives for most of August, still broadcasting Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9. Our Facebook page remains a good way to stay on top of things.